My Read-Through of the Hugos: 1971

I’ve almost completed my read-through of the top science fiction books of all time and was casting about for something else to do. I decided that reading through the list of Hugo award winners and nominees wasn’t a bad way to spend my time. Here are the nominees and the winner of the 1971 Hugo Awards. I’ve marked the winner as well as my own choice for which novel would win, had I the choice among the nominees. I included a brief overview discussion of the year’s nominees at the beginning. As always, there will be SPOILERS for the books discussed.

1971- Sometimes people ask me why I enjoy reading lists so much. Being handed a bunch of choices made by someone else isn’t always the most enjoyable thing, as any high school student can tell you. The reason I like lists is because it forces me to read things I may otherwise never have encountered. 1971 is a year that proved that for me again. The Year of the Quiet Sun is an absolutely fantastic book that I’m sure I never would have read otherwise. I liked it so much that I even wrote a longer post on it in my Vintage Sci-Fi series. The other books this year are widely variant in my enjoyment of them. My third time through Ringworld made me both like and dislike aspects of it more than ever before. I may try more of the series soon. Tau Zero was… not great, yet again. I don’t know if I’ve liked almost anything by Poul Anderson. He may be outside my taste. Star Light by Hal Clement is a great example of the pitfalls of hard sci-fi. Tower of Glass is another great Silverberg novel, exploring themes that go far beyond the surface.

Ringworld by Larry Niven (Winner) Grade: C+
I’ve now read this book twice and a third time on audiobook for various lists. The audiobook helped me really focus in on certain parts of it that I’d kind of skimmed before. I think the first half or so of the book is quite strong. Niven makes compelling aliens that are different enough from humans to seem truly alien–a gift he displays in other books as well. But once all the initial drama is out of the way and the mysterious nature of Ringworld is revealed… it all seems kind of ho hum from there. The immediacy of the breakdown of civilization on Ringworld is difficult to believe and somewhat forced. The strong sense of mystery when the Ringworld is first revealed is a letdown in its payoff. And the characters don’t hold interest after a while. But the first half was such compelling reading that slogging through the incredibly uneven back half is at least partially forgiven. I’m thinking I may finally go and get the next couple to read them, just to see if we get a better payoff for the ideas Niven developed earlier in the book. So, I guess my overall thoughts are that this was a mixed bag. The hard sci-fi elements were fascinating, and I loved the ideas for various aliens. But once the plot truly got rolling, it seemed to fizzle out instead of all come together.

Tau Zero by Poul Anderson Grade: D+
It’s hard sci-fi with all the ups and downs of the subgenre. Fewer ups than downs are present. It’s a good example of the things that can go wrong with hard sci-fi. Anderson actually pauses for paragraphs at a time to explain to his readers concepts like relativity. Perhaps that was necessary or seen as stylistically acceptable when it was written, but it disrupts the flow of the novel repeatedly. Is this an intro to physics textbook or a novel? It’s hard to tell. The plot isn’t terrible interesting, either. A colonization ship runs into a problem with a nebula; science and fake science ensues to try to solve it. Much misogyny is the name of the game when it comes to character interactions. Women are vessels for sexually explicit fantasies. The book is barely readable, in my opinion, and notable perhaps only for its helping establish the subgenre as something to be pursued. Easy to pass up now, and I’ve read it twice! Curse my commitment to reading lists! But it pays off sometimes (see below, The Year of the Quiet Sun).

Tower of Glass by Robert Silverberg Grade: A
I read this book a second time as I came up on time to write this review, and I’m glad I did. I can safely say that the first time I read it, I didn’t understand it. I mean, I got the general idea of it as a kind of play on the Tower of Babel and the like, but I don’t think I got it. This time, I think I did, though, as always, the author may disagree with my reading. Anyway, the general plot is that there’s a possible alien intelligence trying to communicate with Earth from a star that doesn’t seem capable of supporting life, and the word’s richest man is building an enormous tower to try to communicate with these alleged aliens. Krug, the wealthy man, became so by creating Androids, who have since been assigned hierarchy based upon their abilities. What he doesn’t know (nor do any humans, apparently) is that the androids have made their own religion, turning Krug into a god, complete with a kind of Trinitarian theology and scripture. The androids dream of freedom, and throughout the book this is a major driving force of the plot. But when their freedom isn’t granted, the androids rebel, ultimately tearing down the tower, though some who remain loyal to Krug send him on his spaceship in cryo-sleep to see the aliens. None of these threads are tied off. Indeed, the book is full of loose threads at the end, but I didn’t mind. It forces you as a reader to sit and think about it. This is a book that I keep thinking more about every time I consider it. There’s so much going on in it, and I loved it.

The Year of the Quiet Sun by Wilson Tucker (My Winner) Grade: A
I’d not read Wilson Tucker before I dug this gem out of a pile somewhere online. It seems intensely out of print–no ebook edition (a problem I’ve run into more than once on this quest, to be fair), and many copies prohibitively expensive. Finally found an edition that collected it with a few other novels. Anyway, this book is stuffed with themes. Whether intentional or not, the way that the main character’s work and person is connected to many, many aspects of this time travel novel make it a wellspring of reflection. Brian Chaney, the main character, translated an ancient work that appears to show the book of Revelation is not, in fact, from the time of Christ but rather a few hundred years before. This side piece of information looms large on reflecting the major themes of the novel itself, but it’s done so subtly that it is easy to miss. Alongside this, Chaney is sent to a disturbingly possible future and the bleakness is so thick that the book is probably not for the faint of heart. It’s not flawless, as it has a decent helping of misogyny and the characters are rather thin. But overall, the novel is one of those I can’t stop thinking about, even weeks after finishing it. For that, it ranks among the masterworks for me. I couldn’t contain my thoughts on this fabulous book by Wilson Tucker in a single paragraph, so I wrote a lengthy reflection shortly after finishing it.

Star Light by Hal Clement Grade: C+
Hard science fiction is one of my favorite sub-genres of sci-fi. I just love having all the science piled on–whether real or fake–to dress up the plot in a veneer of lab coats and testable predictions. That’s not sarcasm–I truly do love this sub-genre. But there is a huge, common pitfall in hard sci-fi: it is easy to allow the plot to be reduced to a vehicle for the introduction of science. This is no different from the pitfall of other sub-genres, but it seems extremely common in hard sci-fi. Star Light falls headfirst into that pitfall, and perhaps does so willingly as Hal Clement delightfully waxes eloquent on various scientific concepts–both real and imaginary–throughout the novel to the extent that it became difficult, in my opinion, to focus on the characters and the plot in any meaningful way. It’s not a bad novel, and it kept me turning the pages, but it wasn’t anything fantastic. Due to the intense, constant focus on the science, there was little development of characters or even background for them. It’s fine, but not great. The edition linked includes both Star Light and Mission of Gravity. The former is superior, in my opinion.


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8 thoughts on “My Read-Through of the Hugos: 1971

  1. Joachim Boaz says:

    Tau Zero is very average. My thoughts are similar.

    I still need to read Tucker’s “The Year of the Quiet Sun.”

    That said, perhaps now you need to further explore some of the authors you’ve identified as enjoying. Tucker’s The Long Loud Silence (1952, rev. 1969) is brilliant:

  2. socrates17 says:

    Ah, you’ve run into the problem of the infodump. Honestly, I prefer the omniscient narrator speaking directly to me rather than the other option, which is having 2 characters explaining things to each other that they both should already know. The infodumps in Tau Zero bothered me less than they did you, and the concept was interesting for the time, although science has made it obsolete.
    Except for a few short stories (All the Myriad Ways, Man of Steel Woman of Kleenex) I was never a huge fan of Larry Niven and thought Ringworld was kinda Meh.
    Poul Anderson is a problem because he has done some excellent work, but also a lot of paint by the numbers and crank it out work. Of course, his right wing politics is an issue (even more so with Niven, who was more aggressive about it at cons). He knows a lot of history, as well as science. His Time Patrol series (collected as a fixup in 1960) has a lot of historical speculation. His historical fantasy The Broken Sword is generally considered a classic of the genre. Brain Wave contains a lot of interesting speculation on cognition. His satirical space opera The High Crusade is an absolute hoot. From the rest of his oeuvre you wouldn’t think the man could be funny, but the man can be funny. (A dreadful adaptation of The High Crusade came out in 1994.). Which brings us to the Hokas. The Hoka stories were cowritten by Gordon R. Dickson, so I dunno who is responsible for them being so funny, but they’re hilarious. One of the more irritating things about Return of the Jedi is that the Ewoks were basically Hokas, but not funny. Finally, we come to Dominic Flandry, who combined my 2 great genre loves of the time space opera and espionage fiction. His Trader to the Stars and other work from earlier in the Flandry timeline left me cold because they were too Libertarian agitprop. But the Flandry stories had a great elegiac quality to them.
    I’ve never read the Tucker (but now you made me want to) or the Silverberg or the Hal Clement.

    • J.W. Wartick says:

      I don’t mind it as much when it’s two characters talking to each other. The narrator just telling me everything drives me crazy. But that’s a stylistic preference more than anything. I’ll have to check out the Hoka series.

  3. […] 1971– A strong demonstration of why I choose to read lists, as I discover a mostly-forgotten classic! […]

  4. […] 1971– A strong demonstration of why I choose to read lists, as I discover a mostly-forgotten classic! […]

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