Watching Babylon 5 for the First Time, “Crusade”: Episodes 3-4

You are in pain.

I am very late to the Babylon 5 party. As it came out, I was a bit young for the show and the few times we tried to watch as a family, it was clear we had no idea what was going on. After several people bugged me, telling me it was the show I needed to watch, I grabbed the whole series around Christmas last year on a great sale. I’ve been watching it since, sneaking it in between the many things going on in my life. It quickly became apparent that I’d want to discuss the episodes with others, so I began this series of posts. Now I’ve finished the series, but am working my way through the movies, related works, comics, and books. Please don’t spoil anything from other works here! 

3: The Well of Forever

The crystal with coordinates built into it was an awesome idea. Galen shows it off, an artifact that can lead the Excalibur to the Well of Forever. Meanwhile, a telepath is coming aboard to do a deep scan of Lieutenant Matheson–himself a telepath–to check out his security clearance or… something.

The deep scan itself reveals to the telepath that the ship is on the way to the Well of Forever, and he reacts somewhat poorly to the news. As the Excalibur gets closer to the Well of Forever, it encounters some gigantic jellyfish looking creatures which Galen assures them are “barely sentient.” As they try to drift through, one of the creatures grabs the ship and begins, well, mating with it. It’s a moment of some levity during a rather tense situation.

Galen also has apparently taken control of the ship, and he’s unwilling to allow Gideon to turn around once they discover there’s nothing in the space where the Well should be. Ultimately, they do find it and it turns out to be a huge amount of valuable materials. But the Well is apparently a kind of Mausoleum for Technomages and others. And Galen’s insistence on going there was to say goodbye to his love.

Gideon then sets up the adversarial telepath to illegally probe Dureena. He then blackmails the telepath into not blocking Matheson’s promotion. It’s a pretty hardcore moment for Gideon.

The whole episode feels a bit strange to me. Apparently Galen was willing to hijack the Excalibur to say goodbye to his love, and Gideon’s conversation with Galen at the end is surprising. Gideon chooses not to put the offense on the record because he values Galen’s skills. But does that mean the whole trip is off the record? That’s a lot of data to expunge or cover up for a big crew.

4: The Path of Sorrows

Gideon and others find a kind of stasis sphere in some ancient archaeological site. After it appears to interact with Gideon, the Captain insists on bringing it aboard the Excalibur. I had a strong sense of foreboding about this, which was certainly reinforced by the music and lighting surrounding the object in the opening scenes.

This episode has quite a bit of character development, which is great. So far, they’d pretty much all seemed fairly thin characters. We especially got more about Gideon’s background, as we see that he witnessed the destruction of his ship. Then, as he floated in EVA, he watched the ships belonging to the technomages fly past and ignore his distress call… until one came back for him. That one was, of course, Galen.

Later, Gideon wins an “Apocalypse Box” while gambling. It’s a rather ominous scene, as the man he won it from immediately “frees” himself by stepping in front of an air car.

Matheson also gets some flashbacks, letting us see into the heart of the telepath’s compound as he is assigned to help control a rogue telepath, but in the process, he gets used as a dupe to destroy the Psi Corps base. Only this alien in the stasis capsule is able to tell him, and then mysteriously tell Matheson “I FORGIVE YOU.” Right as Matheson leaves, Galen approaches and ominously tells the creature that “I know you.”

Galen reveals that he has done research and believes the creature feeds of the emotions of others because it has none of its own. But the creatre responds to Galen’s accusation arguing that it exists on forgiveness, and then launches Galen into a flashback of his own. His flashback is of his love dying, and as hecomes out of it he says “Damn you” to the alien, then asks “You want me to forgive God?” He doesn’t believe whatsoever in a beyond or an afterlife. His rage leads him to almost kill the alien, but he’s interrupted by Matheson and Gideon.

The incident, however, convinces Gideon to send it back to where it was housed. A haunting shot of Galen riding alone through the Excalibur as Gideon’s voice over says “No way out… no way to go” is one of the best moments so far in the series. After they drop the alien back on its planet, another approaches, being told “YOU ARE IN PAIN” as the alien said to all the others. We’re left with a closing as Galen gets a message that seems to reflect his lover’s words that there is a beyond, and that she’ll send him a message to let him know she was right. But Galen throws the message to the floor before walking away.

This episode has me fired up. So far, I have to admit, I wasn’t fully sold on the series. But with this episode, we have the characterization and wonder that I’ve loved about Babylon 5. There’s depth here far beyond the previous 3 episodes, which were each fine. This episode, however, is something special.

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Links

Babylon 5 Hub– Find all my Babylon 5-related posts and content here.

J.W. Wartick- Always Have a Reason– Check out my “main site” which talks about philosophy of religion, theology, and Christian apologetics (among other random topics). I love science fiction so that comes up integrated with theology fairly frequently as well. I’d love to have you follow there, too!

Be sure to follow me on Twitter for discussion of posts, links to other pages of interest, random talk about theology/philosophy/apologetics/movies/scifi/sports and more!

SDG.

One thought on “Watching Babylon 5 for the First Time, “Crusade”: Episodes 3-4

  1. Not a spoiler, since it never came to fruition, but originally, Lyta was supposed to be the telepath that Matheson interrogates.

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