Reading through the [Alleged] Top 100 Science Fiction Books- #71-75

I’m a huge science fiction fan, but realized I haven’t read a lot of those works considered classics or greats. I decided to remedy that, and found a list online of the Top 100 Science Fiction Books. The list is determined by vote from sci-fi fans online, so it may change over time. I am going off the order of the list as it was when I first saw it. Each book will receive a grade between F and A+ as well as very brief comments. I’m interested to read what you think about these books as well. There will be very minor spoilers in some of these.

71. The Player of Games by Iain M. Banks (1988) Grade: A+
“Banks is a marvelous writer with stylistic flair and skill that is nearly unmatched. This story of a man who really just wants to play games develops as a slow burn, but touches on questions and ideas that are rarely even considered in science fiction. It is nearly impossible to describe how stunningly unique some of Banks’ ideas are. I mean this truly: there are ideas in this book which take a page or so to describe and are never touched again (i.e. they are used as ‘flavor’ for the universe) that could easily make a series of novels well-worth reading. Sure, there might be one point in this book that makes it difficult to believe a character would act the way that character does, but that small flaw does not keep this form being among the greatest science fiction novels of all time.”

72. A Princess of Mars by Edgar Rice Burroughs (1912) Grade: A
“It’s campy, classic, and fun. Burroughs created a world in which a cowboy can rule Mars. This is a classic for good reason. It has tremendous action and adventure all the way through, with just the barest nods to how silly it can be at times. More importantly, Burroughs managed to combine that action with a pretty interesting overarching narrative that continues through the series. The core of the story is obvious, but the window dressing is superb. It’s the kind of book that is fun to read all the way through. It’s excellent.”

73. Doomsday Book by Connie Willis (1992) Grade: A
“Sometimes a book’s plot and characters are so raw, so emotionally captivating, that you’re willing to look past even major flaws. Doomsday Book was such a book for me. There are some big problems here, such as the fact that the first 300 pages or so of the ‘future’ time period is taken up with people running around trying to get a hold of others on landline phones or passing out just before they convey some absolutely essential piece of information. A couple times? Not too bad. Constantly? It starts to get old. But throughout this first section and through the end of the book, the story of a lone historian, Kivrin Engle, is utterly enthralling. She finds herself trapped in the midst of untold suffering of the Black Death in England, sees the struggles of the everyday people in the 14th Century, witnesses genuine faith, feels complete hopelessness, and more. Throughout it all, I could not put it down. It was so emotionally rich that it felt like I must race to the conclusion lest I lose myself utterly. It’s a fabulous story that transcends whatever flaws accompany it.”

74. The Road by Cormac McCarthy (2006) Grade: B+
“I truly do not understand why there is so little punctuation in this book. For that, it gets knocked down a few notches. I read about how ‘concise’ and ‘clean’ this type of prose is, but I think that if something is written such that I would have received an ‘F’ on it in English class, there’s a problem. That said, McCarthy’s take on the post-disaster genre is interesting, mostly for its incredibly narrow focus on two characters who have apparently no impact on any wider events. It’s unrelenting in its bleakness, and I love me some bleakness. It’s dreadfully sorrow-filled, but ultimately offers the barest glimpses of hope throughout. Disturbing, but beautiful. I enjoyed it, even though I was really annoyed when there weren’t quotation marks.”

75. Citizen of the Galaxy by Robert A. Heinlein (1957) Grade: C
“I thought the start was promising regarding the characters, but it didn’t develop much of a plot. Yes, things happen, but despite some rather world-shaking revelations, all of it is delivered in a rather mundane style that makes it difficult to connect to the wider events. It’s an interesting story, overall, but one that wasn’t executed as well as it could have been.”

Links

J.W. Wartick- Always Have a Reason– Check out my “main site” which talks about philosophy of religion, theology, and Christian apologetics (among other random topics). I love science fiction so that comes up integrated with theology fairly frequently as well. I’d love to have you follow there, too!

Be sure to follow me on Twitter for discussion of posts, links to other pages of interest, random talk about theology/philosophy/apologetics/movies/scifi/sports and more!

Reading through the [Alleged] Best 100 Science Fiction Books– Check out more posts in this series as I continue.

SDG.

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My Read-Through of the Hugos: 1959

I have no idea who thought this was a good cover for this book, but here we are.

I’ve almost completed my read-through of the top science fiction books of all time and was casting about for something else to do. I decided that reading through the list of Hugo award winners and nominees wasn’t a bad way to spend my time. Each year, I will show which novel won the Hugo, as well as my own choice from the bunch of which should have won. They aren’t always the same!

We Have Fed Our Sea AKA The Enemy Stars by Poul Anderson- Grade: C
It’s a kind of space adventure that this period is particularly known for, but I couldn’t honestly see anything distinguishing or interesting about this particular book. It’s an inoffensive, at times entertaining romp in a thoroughly 1950s style science fiction setting. If you like that, read it. If not, it’s probably skippable.

Who? by Algis Budrys- Grade: C
A man shows up and claims to be a lost scientist, but here’s the catch: the Soviets have had him under their power for a time. Is he really who he claims to be? Can he be programmed as a spy? Yep, there’s a lot of Red Scare in this one, and the characterization and pacing isn’t all that great, but the idea of it is interesting enough. How do you know someone is someone? What makes you you? Those are the kind of questions that are explored, with however blunt an instrument, in this book.

A Case of Conscience by James Blish (Winner)- Grade: B
I find Blish’s writing style to be a bit impenetrable for my taste. It’s like reading something through a fog. I don’t know how else to describe it. In this work, we have one of the few forays into religious questions found in this era of science fiction. How can an alien race without religion be moral? The Jesuit priest in this book asks that question and ultimately doesn’t really get an answer, leading to some spectacular difficulties in the process. Reading the book, though, is like wading through mud. I enjoyed the ideas, but had difficulty understanding the writing.

Have Space Suit – Will Travel by Robert A. Heinlein- Grade: C
Younger Heinlein is in top form here, which means you get his action with much less of his preaching at you about how we should all have sex all the time. Unfortunately, this early Heinlein is not as talented as some of the later Heinlein turned out to be, though I think Heinlein’s works are kind of a roller-coaster of quality. Anyhow, this one is basically just a coming of age story with a spacesuit. If that sounds interesting, you’ll probably like it well enough.

Time Killer AKA Immortality, Inc. by Robert Sheckley (My Winner)- Grade: B+
The premise initially seemed pretty standard–a man gets sucked into the future without any knowledge of what’s happening to him. But as the story developed, the intricacies Sheckley adds, layer by layer, to the plot and premise makes the book feel more and more special. Exploring what would happen if there were a scientifically verifiable afterlife was an unexpected pleasure, as was the way Sheckley deftly danced around questions of the mind-body problem, religion, and more. None of it seemed heavy-handed, which is what I was expecting once I got a feel for what was happening in the book. Instead, it was a unique look at one of sci-fi’s tropes- transhumanism/immortality. It also had a couple compelling characters, which isn’t always the case in some of the classic sci-fi. I recommend this one, folks.

J.W. Wartick- Always Have a Reason– Check out my “main site” which talks about philosophy of religion, theology, and Christian apologetics (among other random topics). I love science fiction so that comes up integrated with theology fairly frequently as well. I’d love to have you follow there, too!

My Read-Through of the Hugos- Read more posts in this series and follow me on the journey! Let me know your own thoughts on the books.

Be sure to follow me on Twitter for discussion of posts, links to other pages of interest, random talk about theology/philosophy/apologetics/movies/scifi/sports and more!

SDG.

A Stunning Epic – “Empire of Silence” by Christopher Ruocchio

A friend recommended I read Empire of Silence by Christopher Ruocchio. I’m a sucker for science fiction, and I knew this friend had great taste, so I went and got it almost immediately. I was blown away as I devoured it over the next four days. I’ll avoid SPOILERS in what follows, because I just want to encourage you, dear readers, to go grab this book ASAP and read it.

The novel is told by Hadrian Marlowe looking back on his own life. It’s a kind of memoir/autobiographical storytelling style that I personally find captivating. It goes beyond a simple first person perspective by inserting “historical” notes into the text as you’re reading, casually dropping bits of world-building and storytelling into the main narrative. In this regard it reminds me of Fitzpatrick’s War by Theodore Judson, though that overlooked masterpiece probably won’t ring many bells. Anyway, the first person style is usually offputting to me, though I have enjoyed my share of first person perspective novels. For those who enjoy their sci-fi/fantasy in epic style, the first person narrative here doesn’t take away from that in any way.

Again, I’m really hesitant to spoil anything, so to introduce the plot I’ll just tell you what Hadrian himself tells you at the beginning. Hadrian is a man that would be reviled for killing a sun, and all those around it. He is writing from a point well in the future of where this novel begins, telling we readers the “real story” of what actually happened to get him to the reviled hero he is. Along the way, we learn much of Hadrian’s life, motivations, and meet many, many characters, each with unique personalities and contributions to Hadrian’s capacities and actions.

There’s a wealth of sci-fi greats I could see as inspiring Ruocchio’s book. The world building and writing style made me think of Iain M. Banks. The epic scale of the universe could only recall Dune. There’s a splash of Star Wars there, too, though only in the sense of the rise of a hero (anti-hero?) character. I’d be remiss to mention some aspects of the film Gladiator getting mixed in, too. And, for what it’s worth, I really got strong vibes from Pierce Brown’s Red Rising series mixed in, too.

If this seems like a grab-bag of awesome things, I’d like to downplay that a bit. Ruocchio has undoubtedly created his own style and carved out his section of the sci-fi universe. If it is reminiscent of all of these other awesome novels, that’s not because it is derivative. The richness of the narrative cannot really be overstated here. There are times the scale seems incredibly huge, but the reader is never left adrift because the narrative ties us down to Hadrian’s life and perspective, giving us a way to navigate the huge universe. As even more elements pile onto the plot–notably linguistics and archaeology coming into play–Ruocchio manages to balance all these elements and weave them into a deeply personal narrative that turns Hadrian into a fascinating, real character.

Perhaps most importantly for a novel like this–a near 600 page epic–is that although it is part of a larger series (according to a Tweet from the author after I asked him, it will span 4 books along with potential side stories), it has a satisfying ending. Readers won’t feel cheated or baited by the end. Instead, they’ll be lining up to get the next book, knowing how excellent this one was. Hadrian’s concluding lines in the book help to make it feel, truly, like the first volume of an immense memoir.

Without a doubt, Christopher Ruocchio has created a fantastic universe to explore. Empire of Silence is a superb space opera on an epic scale. I recommend it very, very highly. What we are seeing with this book is, I think–as does my friend who recommend it–the rise of a new genre master.

Links

“Space Unicorn Blues” and “The Stars Now Unclaimed” – Two Recent Debut Science Fiction Novels Worth Noting– Come read about two exciting science fiction debuts that couldn’t be more different. Space unicorn wha?

“Gate Crashers” and “Space Opera” – Two wild first contact novels– Do you like first contact sci-fi? Here are a couple novels to look at if you like a helping of humor to go alongside it.

J.W. Wartick- Always Have a Reason– Check out my “main site” which talks about philosophy of religion, theology, and Christian apologetics (among other random topics). I love science fiction so that comes up integrated with theology fairly frequently as well. I’d love to have you follow there, too!

Be sure to follow me on Twitter for discussion of posts, links to other pages of interest, random talk about theology/philosophy/apologetics/movies/scifi/sports and more!

SDG.

Reading through the [Alleged] Top 100 Science Fiction Books- #66-70

I’m a huge science fiction fan, but realized I haven’t read a lot of those works considered classics or greats. I decided to remedy that, and found a list online of the Top 100 Science Fiction Books. The list is determined by vote from sci-fi fans online, so it may change over time. I am going off the order of the list as it was when I first saw it. Each book will receive a grade between F and A+ as well as very brief comments. I’m interested to read what you think about these books as well. There will be very minor spoilers in some of these.

66. Sphere by Michael Crichton (1987) Grade: C-
Apparently I can’t count and in my last post, going 5 at a time, I included this one. Oops, now it gets to be here twice.
“It’s not nearly as polished as The Andromeda Strain, and its core premise isn’t as strong as Jurassic Park‘s. What’s left is an interesting idea that seemed to me to get less and less entertaining as it went along. I had higher hopes for this one, to be honest. The payoff at the end is fairly low compared to Crichton’s other works, and because of this some of the flaws in his writing style are more distracting. Let’s not forget an over-defensive caricature of a female scientist, which may have been a rather poor attempt at introducing a pro-woman narrative into the plot (it didn’t work out). The biggest problem with the book is that it seems to get progressively less wonder-filled and devolve into a rather simple thriller. Not what I have come to expect from Crichton.”

67. The Demolished Man by Alfred Bester (1953) Grade: A-
“I thought I had the whole book figured out fairly early on, but Bester got me big on this one at a number of points. I didn’t figure out the ‘truth’ at the center of the novel until the very last pages. I am the kind of person who doesn’t really try to figure things out because I enjoy the development, so that doesn’t necessarily mean it was a masterful manipulation of the plot, but I think it speaks well of the strength of Bester’s storytelling. Does he rely on some pretty outdated psychology? Absolutely, but that doesn’t take much away from the overall enjoyment of the work. Reading this list has clearly taught me that science fiction + mystery = awesome.”

68. Revelation Space by Alastair Reynolds (2000) Grade: A
“Reynolds has managed to construct one of those rare books that manages to truly convey the scale of a space opera while not losing itself. The disparate plots come together in a satisfying way, and the sheer bigness of it is delicious. Throw in a healthy dose of alien archaeology and this is a book I will remember for a while. In fact, some time ago I read just the opening scene at a book store, but couldn’t remember what book it was from until I picked this one up from the library for this list. That openig scene, with its hidden archaeological secrets, had stuck with me for perhaps a decade or more. Now that I’ve read the whole novel, I’m pleased to say it stands up well.”

69. The Door into Summer by Robert A. Heinlein (1956) Grade: C+
“It doesn’t reach the greatness of some of his other works, nor does it hit the depths of some of his misses. It’s a competent, somewhat tongue-in-cheek story about time travel and corporate baddies. I enjoyed it not so much for the end product as for the clear fun that was had on the journey. It’s silly, but not so silly as to put you off. A worthy read, but not a great one.”

70. The Stainless Steel Rat by Harry Harrison (1961) Grade: B+
“A classic campy adventure novel, The Stainless Steel Rat hits on just about all the points one expects from its time period and genre. It is clearly referential to the time in which it was written, and has some backward views represented therein. It is also a constant stream of action and adventure that left me feeling almost exhausted afterwards. A fun read.”

Links

J.W. Wartick- Always Have a Reason– Check out my “main site” which talks about philosophy of religion, theology, and Christian apologetics (among other random topics). I love science fiction so that comes up integrated with theology fairly frequently as well. I’d love to have you follow there, too!

Be sure to follow me on Twitter for discussion of posts, links to other pages of interest, random talk about theology/philosophy/apologetics/movies/scifi/sports and more!

Reading through the [Alleged] Best 100 Science Fiction Books– Check out more posts in this series as I continue.

SDG.

“Gate Crashers” and “Space Opera” – Two wild first contact novels

I quite enjoyed sharing my last couple reads of debut novels with you (Space Unicorn Blues and The Stars Now Unclaimed) and figured I’d keep doing some of these little book posts. Here, I want to review two humorous first contact novels I read recently.

Space Opera by Catherynne M. Valente

I love space opera. It is perhaps my favorite subgenre of science fiction, and I read a ton of science fiction. When I saw a book entitled simply, “Space Opera,” I was intrigued. When I saw the cover and the tagline “In space, everyone can hear you sing,” I put it on the “to read” pile for when I was ready for what I assumed would be a funny romp.

I wasn’t wrong. Catherynne M. Valente is clearly a talented author, and her humor is cut from the same cloth as Douglas Adams. At multiple points, I was reminded quite vividly of Adams’ writing, but never in a derivative way. Valente has her own brand of dry humor that will make you laugh, really laugh at life. Yeah, life–in the all-encompassing everything that is alive now kind of way.

The plot is zany: humans are contacted by some species and told we can produce our best talent to compete in a universe-wide talent show and not lose or be killed. So a washed up pseudo one-hit-wonder type of band gets brought back together to show the galaxy what-for. It’s ridiculous but it somehow works. It’s full of what would almost certainly be anachronisms and occasionally stilted dialogue, but by gum it still works. Valente basically wills this novel into being in a way that feels fresh and frankly hilarious throughout. You care about the characters more than some of them perhaps deserve, and the aliens introduced are interesting. But what makes it tick, again, is Valente’s almost casual wielding of humor that never gets in the way.

Space Opera is perhaps a little bit too over the top at times, but Valente cashes in on a wildly funny premise, fills it to the brims with wit, and brought me laughing to a satisfying finish. Readers who enjoy Douglas Adams should run to get it.

Gate Crashers by Patrick S. Tomlinson

What if we are totally incompetent when it comes to contact with other species? What if they were just as confused by us as we were by them? What if we found out they were trying to just ignore us? Tomlinson touches on all these questions and stirs in a helping of humor in his intriguing Gate Crashers, a rare self-contained space opera/first contact novel that hits back at several tropes.

The book is ultimately more serious than you might be lead to expect by the extended introduction. There is a lot of depth here, and readers hoping for a simple laugh riot may be disappointed by a lengthy middle portion introducing many side characters and much exposition. But it is this central portion that sets up for a rather satisfying conclusion that Tomlinson deftly handles in a way that doesn’t disappoint.

Gate Crashers is an entertaining read, though at times I wondered what the central theme or motivation is. Nevertheless, I enjoyed my time spent in this jaunt. I recommend it for people who think C.J. Cherryh needs more humor and less verbosity (I don’t know why Cherryh came to mind, as Gate Crashers only tangentially reminds me of her work, but that’s where I’m at as I type this up).

Links

J.W. Wartick- Always Have a Reason– Check out my “main site” which talks about philosophy of religion, theology, and Christian apologetics (among other random topics). I love science fiction so that comes up integrated with theology fairly frequently as well. I’d love to have you follow there, too!

Be sure to follow me on Twitter for discussion of posts, links to other pages of interest, random talk about theology/philosophy/apologetics/movies/scifi/sports and more!

SDG.

“The Count of Monte Cristo” by Alexandre Dumas- Reading the Classics

I have decided to mix in some classics with my constant reading of sci-fi/fantasy, philosophy, theology, and biographies. In order to pick which classics to read, I have largely crowdsourced recommendations of which classic literature they have enjoyed, combining this with lists of major classic works. So yeah, pretty subjective, but we can deal. As I read through the classics, there will be SPOILERS, because I want to actually talk about them. Maybe it will encourage you to read them, or, if you have read them already, you can join in a deeper discussion of these great works. Feel free to recommend your favorites, as well.

The Count of Monte Cristo

Several friends had recently talked about finishing this book and how much they enjoyed it. I also recalled seeing the recent-ish movie several years ago (though, having finished the book, I threw it on hold at the library, so I’ll be watching it again!). Also, there’s a delicious sandwich that I at least assume got its name from this book, which makes it even better. But other than these fleeting glimpses, I knew pretty much nothing about Alexandre Dumas’s The Count of Monte Cristo going in. The memory of the movie had faded, and I just recalled there was some guy who wanted revenge. Yeah, there’s a lot more to the novel than that.

The Count of Monte Cristo is, on the surface level, a novel of vindication and revenge. It’s an adventure that spans more than a thousand pages. Yet it remains a page-turner that demands to be devoured in sitting after sitting. But on the deeper level, it is a fantastically Christian look at the world and God’s action therein.

The set up for the plot involves the man who would be the count getting set up by several who wish him ill for various reasons. But throughout even that section, “Providence” is constantly in view. Providence is historically one way people talked about divine activity in the world, so the reader is led to see Dumas’s viewpoint as having a divine hand in many acts. And, indeed, as our lead character begins his quest for vindication and vengeance, bringing blessings and curses upon those who helped or hindered him, we as readers cannot help but associate his actions with those of God. We want the Count to succeed in his quest for revenge; it is so well planned, and he has become a man of almost limitless poise and focus. It is not until the count has one part of his vengeance go “too far” that he starts to have second thoughts.

These second thoughts translate into an awareness that our Count’s activity is not just the hand of God acting. Though we as readers have been rooting for him throughout, it becomes clearer that the assumptions we’ve made about how the story is going are wrong. It’s as though Dumas played into our expectations, allowing us to think that, perhaps, here is the kind of “divine vending machine” that we so often wish to turn God into. Here, in at least this story, God is working in the way that we want, dispensing a kind of hard justice on wrongdoing and giving great benefit to those who deserve it. But our Count realizes that this is not, in fact, what is happening. His own actions have been, well, his own. Has he been aided by God? Yes, in the sense that his endeavors could not have all succeeded without some acts of Providence. But he has presumed too much. Like Job in the Bible, he has questioned God; nay, he has gone farther and turned himself into the hand of God, dishing out vengeance and blessing as he wished. And his actions have led to a great wrong with the death of innocents.

So Dumas asks us to take ourselves back out of the shoes of the Count, to stop assuming that we know what is supposed to happen. Instead, he has lured us into this complacency, thinking we know how things ought to be, when instead we should be approaching the acts of God with fear and trembling, carefully avoiding the notion that we can make God act in the ways we desire. Hidden in plain sight within this apparent adventure novel, we have a serious theological commentary that forces us to re-examine who God is and how God acts. How often we make God into what we want, thinking we can control God! Yet here we see how foolish that is, and how we must once again evaluate the assumptions we have made.

So apart from this deep theological discussion, is there a good book? Yes, yes, yes, a thousand times yes. The novel is so well written. I found it un-put-down-able. It’s a true page turner even at its doorstop-like heft. The story is full of beautiful description and overflowing with heart and depth.

There is far more that I could say about The Count of Monte Cristo. It’s such a phenomenal achievement. It definitely stands among my favorite works of all time, and I cannot recommend it highly enough to you, dear readers.

Links

J.W. Wartick- Always Have a Reason– Check out my “main site” which talks about philosophy of religion, theology, and Christian apologetics (among other random topics). I love science fiction so that comes up integrated with theology fairly frequently as well. I’d love to have you follow there, too!

Be sure to follow me on Twitter for discussion of posts, links to other pages of interest, random talk about theology/philosophy/apologetics/movies/scifi/sports and more!

SDG.

My Read-Through of the Hugos: 1956

I’ve almost completed my read-through of the top science fiction books of all time and was casting about for something else to do. I decided that reading through the list of Hugo award winners and nominees wasn’t a bad way to spend my time.

Not This August by C.M. Kornbluth- Grade: B+
I found this one surprisingly fresh. Initially, the plot seemed to be yet another “Red Scare” type novel, but the Soviets seemed to be possibly better (shock!) at some things than the Americans. Then, it turns out the whole thing is a rather pointed commentary on the doctrine of “Mutually Assured Destruction.” It felt surprisingly modern because of this, as we face things like nuclear threats continuing. The writing style is solid as well. I enjoyed it quite a bit.

End of Eternity by Isaac Asimov- Grade: C-
I’m not sure how Asimov got away so frequently with calling his books novels. This is really just a dressing up of scientific theory and explorations thereof with a thin plot covering it lightly. Is it interesting? Sure, insofar as you’re interested in reading about causal loops and exploring one possible way that could have worked in the 1950s. Sound interesting? Great, you’ll love it. If not, this is one to avoid. Asimov’s characters are constantly paper-thin. I get that it was a different era, but other authors on this list managed some truly magnificent characters. Merely okay.

Double Star by Robert A. Heinlein (Winner)- Grade: C
The concept is interesting, if not terribly original (though, in fairness, I’m not sure how original it was in 1956): an actor is hired to play a politician in a dangerous time. It has the typical early-ish Heinlein action-first plot, which keeps it entertaining enough. It also has some Heinlein preaching that I grow weary of quickly. A decent romp, but nothing terribly special.

The Long Tomorrow by Leigh Brackett (My Winner)- Grade: A-
After nuclear war, the United States is largely a scattering of towns and villages, enforced by the 30th Amendment- that no cities may be constructed, so that massive, global-scale wars would not happen ever again. Society has reverted to a kind of pastoral time, and in it, the protagonist, a young man who begins to get big ideas, finds himself trying to find a place for himself. I kept having to adjust my expectations during Brackett’s strange yet familiar post-apocalyptic story. Initially, I expected it to be a kind of coming-of-age story that would develop into a world-changing adventure. Those expectations were overthrown, but then possibly renewed, and then overthrown again and again. I found parts of the book startling. It was stark; it was eerie. At times it was quite suspenseful. A cozy catastrophe of great form. I listened to this one on Audible, and in case you’re also a fan of audiobooks, I recommend this one. It was a good listen that was well-read.

Three to Conquer by Eric Frank Russell- Grade: C
It’s a noir detective novel combined with some light science fiction in the pulpy era and works about as well as you might expect it too. There are some significant flaws here, but the overall effect is decent. The science fiction doesn’t happen until pretty close to the end, and it is largely composed of the kind of silliness you find in 1950s science fiction. Not bad, but not anything remarkable either.

Links

J.W. Wartick- Always Have a Reason– Check out my “main site” which talks about philosophy of religion, theology, and Christian apologetics (among other random topics). I love science fiction so that comes up integrated with theology fairly frequently as well. I’d love to have you follow there, too!

My Read-Through of the Hugos- Read more posts in this series and follow me on the journey! Let me know your own thoughts on the books.

Be sure to follow me on Twitter for discussion of posts, links to other pages of interest, random talk about theology/philosophy/apologetics/movies/scifi/sports and more!

SDG.