
I’m a huge science fiction fan, and, having read a list of what are alleged to be the top 200 science fiction novels, I decided to next tackle a read-through of all the Hugo Award winners and nominees for best novel. Let me know your thoughts and favorites. I’ve marked the winner as well as my own choice for which novel would win, had I the choice among the nominees. I’ve also dropped a short reflection on the year’s Hugo list at the end.
Dying of the Light by George R. R. Martin- Grade: D
Full disclosure: I met George R. R. Martin once and he was a total jerk to teenage me for no reason whatsoever, so I have an intense bias against him.
That said, this book was extremely “meh.” For its time, it feels like there are some fresh ideas or at least presentations. Not having heterosexual monogamy as the absolute and only option wasn’t innovative at this point, but it plays such a major part of the story and characterization here that makes it seem more momentous. The problem is that the story itself is honestly so bland. The plot follows a bunch of characters on Worlorn, a rogue planet that is approaching a heat death (cold death?) as it moves away from the red giant star it’s passing by. Most of the characters also have themes of death surronding them, whether it’s the death of a culture, love, or individual. Everyone and everything is dying. Maybe that’s the main theme. It feels almost like an extended monologue from someone who’s not terribly interested at getting you to engage with the story in any way. Maybe reading this book is another way to push you along the path towards death by using your time in boredom. I don’t know.
Time Storm by Gordon R. Dickson- Grade: D
Another time travel novel, another disappointment. Gordon Dickson’s Time Storm should be an absolutely thrilling journey on a post apocalyptic, time-diluted, insane planet Earth. The cover for my Kindle edition has a huge shark battling some wild reptilian humanoid people things. I wanted a fun jaunt across time and shark battles. I guess I kind of got a shark battle at one point, but even that was written in such a matter-of-fact, ho-hum style that it didn’t engage at all. This journey of a leopard and a young man and woman is surprisingly, well, boring. Add in some tired tropes about women needing protection but also ogling, and you’ve got a recipe for alternating yawns and outrage. Time travel should be fun. It should be amazing. Yet time and again, when I encounter it in fiction, it’s not. Authors very rarely seem to make use of the wild possibilities they have at their fingertips. This is not a very good novel.
Gateway by Frederik Pohl (Winner, My Winner)- Grade: A-
I found this to be a supremely interesting story with a number of intriguing elements. The reports, classifieds, and the like found throughout fleshed out the world. The interplay of the pseudo-archaeology, pseudo-adventure story with a [robot] psychiatrist’s office was amusing, thought not always in a good way. It makes the book feel quite dated at points, with its clear dependence on what was then cutting-edge psychiatry making for some laughable scenes. Ultimately, though, the story is a heart-rending, get-you-in-the-feels tale that has me mourning it days later. Maybe I should read the rest of the series to find out what happens next. Also, that first edition cover is just fabulous. I adore the 50s-70s style spaceship art, and wow do I love that cover.
Lucifer’s Hammer by Jerry Pournelle and Larry Niven- Grade: C-
The premise is pretty neat: scattershot a bunch of characters as they face the possibility of a major asteroid strike, then follow those who survive after the strike. The buildup isn’t bad either. It’s interesting to see how the varied characters who are either ‘in the know’ or not deal with the possibility, whether they immediately start stocking up stores or wait till the last day. But there’s something just ‘off’ about a lot of the novel–and part of it is how it treats women. There’s a very dated view of women, as if they automatically need to be protected when society collapses because they’re helpless. Sure, not all of them are portrayed as helpless, but men take charge anyway. I also thought the creepy storyline with the voyeur man was unnecessary and, again, degraded women by effectively treating women as sex objects exclusively. The other problem is that the last third of the book is kind of ho-hum. It’s like a survival novel but there’s not much in the way of environmental hazards after the initial disaster strikes. I felt there should be a lot more tension and chaos, but there wasn’t. Merely okay.
The Forbidden Tower by Marion Zimmer Bradley- Grade: D+
I think this is technically book 11 or 12 in the series, and I’ve read a few others. I admit some of my distaste for the book is in part based upon the awfulness of MZB’s actions towards her own and other children. The book itself is full of tropes, but has some bright spots throughout that make it interesting. I especially enjoyed some of the descriptive language and turns of phrase that had me enjoying some of her other works before. However, this is very firmly in the more traditional fantasy adventure camp and it has all the foibles as such. The conflict is supposed to be this huge, world-wide conflict, but never reads as though it gets much bigger impact than on a few of the main characters. It seems contrived as times, and some of the ways the plot plays out don’t have great resolutions. It’s not great.
1978- Well, at least this year had a clear winner. 1978 wasn’t a great list, to be honest. I found it telling that the Nebula Awards of the same year only share one book with this list, and it’s Gateway. That novel is an achievement, though it shows its age on the corners. I don’t mind reading dated things. If I did, I wouldn’t be going through this list. But each of the other books listed here (and, to an extent, Gateway itself) are dated in the worst ways. Whether its the casual sexism of Lucifer’s Hammer or the inability to break out of trope-y campiness of The Forbidden Tower, these books all feel out of date in ways that take away from the story. Sometimes reading old things can give a sense of recapturing what was lost or at least some kind of strange nostalgia. There’s not much of that there. It’s not the worst year for the Hugos, but certainly one of the weaker years of the decade.
Links
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SDG.