My Read-Through of the Hugos: 1972

I’m a huge science fiction fan, and, having read a list of what are alleged to be the top 200 science fiction novels, I decided to next tackle a read-through of all the Hugo Award winners and nominees for best novel. Let me know your thoughts and favorites. Here are the nominees and the winner of the 1972 Hugo Awards. I’ve marked the winner as well as my own choice for which novel would win, had I the choice among the nominees.

1972

This year featured one of the more diverse arrays of styles so far in the Hugo reading list. There are two science fantasy novels (Dragonflight and Jack of Shadows), two women authors and incidentally the first time more than one woman author made the list (Anne McAffrey and Ursula K. Le Guin), some radically different New Wave sci-fi (A Time of Changes and To Your Scattered Bodies Go), pseudo time travel (Scattered Bodies…), and a hauntingly thoughtful–if flawed–look at the human psyche (The Lathe of Heaven). The science fantasy books are quite different as well. Anyway, I was deeply disappointed by To Your Scattered Bodies Go. It should have been so much better, but the author didn’t change tone no matter which of the incredible caste of characters he introduced. On the flip side, A Time of Changes is the book that got me to appreciate Silverberg. I have rarely been so moved as I was by that book, and listening to the excellent audiobook is what sold me on it. It’s strange and even uncomfortable at times, but it’s great. Dragonquest looks on the surface like an easy read but has incredible depth. Lathe and Jack were each fine novels, but not as intriguing as some of their authors’ other works.

Dragonquest by Anne McCaffrey- Grade: A-
The quiet nature of these books by McCaffrey belies the epic scale of her world and the place she built in Pern. Dragonquest is a science fantasy novel of the best kind. There are dragons, hints of ancient secrets, dire threats, and human striving of the best kind. What makes the novel especially poignant is that the “villain” here is not really a person but a kind of natural threat. In a world with raging pandemics and climate change, the “natural” kind of evil in this novel is especially haunting. The dizzying heights of dragon flight and characterization help offset what would otherwise be a fairly bleak story. McCaffrey’s worldbuilding is especially dense, though in the first book, Dragonflight, it’s even more dense. I expected these books to be fairly breezy reading, but they’re in fact phenomenally deep explorations of a well thought out world that McCaffrey has created. Don’t get me wrong, there’s plenty to like about the characters and plot here, too, but the real star is the world she’s created. Readers who enjoy science fantasy should consider these must-reads.

To Your Scattered Bodies Go by Philip Jose Farmer (Winner)- Grade: C-
Farmer had all of humanity to choose from for his characters, and he chose some truly awesome figures. The problem is that he never gave any one character the time or space to develop properly and show the unique personality of each. The characters should surely speak in radically different voices, have conflicting concerns, and even see the world in quite diverse ways. But instead, each character was a fairly standard science fiction trope with a historical figure’s name slapped onto him or her. Their voices all sounded the same to me on almost every page. The book came very highly recommended from a number of sources. I’m pretty disappointed, to be honest.

The Lathe of Heaven by Ursula K. Le Guin Grade: B-
I thought the premise–a man whose dreams become reality–was a bit tacky, but Le Guin is a master of prose and makes it work as a compelling piece about humanity. Really, that seems to be what all I’ve read from her is about, at its core: human nature. What does it mean to be human? What kind of fears would guide us if we had such a power? Who might try to harness it and why? These are intriguing questions that are just lightly touched throughout the book. The characters, unfortunately, end up largely being stand-ins for various philosophies or ways to explore different ideas. Unlike some of Le Guin’s other works, I never felt connected in any way to the characters. They read more like caricatures than characters. That said, it’s a thoughtful work that I enjoyed greatly.

Jack of Shadows by Roger Zelazny Grade: C+
After reading this book, I looked it up online and discovered it was written in one draft. I’m impressed, but also somewhat dismayed, because it seems the book could have been much improved with some thorough edits and rewrites. The concepts are there for a truly excellent novel, but it’s hampered by a kind of meandering at points that means I as a reader struggled to follow along with the events. Zelazny’s talent is on display here in glimpses, but it only presents itself in fragments. The Jack of Shadows has power in the shadows, unlike many of the magic users of his world whose power relies on the light or darkness on their side of the planet. It makes for a cool idea, but doesn’t go much beyond a few lines of dialogue and some action scenes. I don’t know what it is about the book, I guess I just wanted more from it.

A Time of Changes by Robert Silverberg- Grade: A
I admit part of my score here is likely due to the simply phenomenal reading by Tom Parker. I listened to it from my library and was simply blown away by the quality of this narration. Parker lends the novel a kind of alien/familiar feel that reflects the dichotomies found therein. Yet even if my score is slanted because of that, there’s no denying this is a pretty excellent read. Silverberg here creates a society that sees the revealing of the self as a great crime. Only among certain relationships is it permitted to even begin to reveal oneself to others. The use of words like “I” or “me” is considered horribly obscene. Inside this society, there are priests called “Drainers” who basically act as places people can confess their wrongs and “drain” their souls of them. The multifaceted nature of this is juxtaposed with Silverberg’s central drama, the autobiographical journey of the main character as he discovers the joys of self-revealing, in part due to the use of a drug from a society most people on his planet view as barbarians. Throughout the whole book there are a number of dichotomies. Alien/familiar is the most obvious, as the people of this society are humans but act so inhumanly by denying the self; civil/uncivil is another; pious/pagan another; and the list could go on. It’s a masterfully crafted, thought-provoking science fiction novel that manages to make a rather well-worn Nu Wave sci-fi trope (drug use) into something eloquent and fresh rather than tired and dated.

Links

My Read-Through of the Hugos– Read more posts in this series and follow me on the journey! Let me know your own thoughts on the books.

Be sure to follow me on Twitter for discussion of posts, links to other pages of interest, random talk about theology/philosophy/apologetics/movies/scifi/sports and more!

SDG.

Reading through the [Alleged] Best 100 Science Fiction books- #51-55

I’m a huge science fiction fan, but realized I haven’t read a lot of those works considered classics or greats. I decided to remedy that, and found a list online of the Top 100 Science Fiction Books. The list is determined by vote from sci-fi fans online, so it may change over time. I am going off the order of the list as it was when I first saw it. Each book will receive a grade between F and A+ as well as very brief comments. I’m interested to read what you think about these books as well. There will be very minor spoilers in some of these.

51. Frankenstein by Mary Shelley Grade: A-
“It’s not really like any film version I’ve seen. The book was intriguing, historically grounded, and foreboding in a very different way than a green man with screws in his head. Not only is it a rather good novel, but it also helped me to see one of the biggest themes in science fiction playing out at a more removed time: that of writing in fear of that which is new. Many novels coming out are centered around dystopic scenarios based on things like social media, nanotech, and the like. Frankenstein is about electricity and it helps convey the sheer joy and utter terror that such a discovery would have conveyed to those who first encountered it. It’s truly moving in that regard. I enjoyed it immensely, and certainly much more than I thought I would.”

52. Flowers for Algernon by Daniel Keyes Grade: A
“Heart-rending and poignant, Keyes has created an enduring masterpiece. Yes, some aspects of it haven’t aged well (such as outdated psychological theories), but it’s the kind of science fiction that could be set in the past as something that has happened, so that doesn’t matter. It’s got one of the best aspects of science fiction storytelling, namely that it asks us to look at ourselves as humans and see what we are more fully. I readily admit I did not think I’d enjoy this one going in. It had all the makings of one of those books that is more literary than it is plot, but it is not that at all. I wept bitterly at more than one point in this haunting work. It’s a beautiful book.”

53. Battlefield Earth by L. Ron Hubbard Grade: D
“Utterly bloated and in dire need of editing, Battlefield Earth is like a pulp science fiction novel gone wrong. The whole concept of pulpy sci-fi demands episodic structure with plenty of action. Though there is a lot of action here, it is annoyingly repetitive, and if I have to read about the need for ‘leverage’ one more time I’m going to go insane. But I must write about leverage: having an alien who is so concerned with self-interest was intriguing, but like basically every other idea in this novel, it was never developed beyond the surface level, at best. It’s like Hubbard thought ‘Hey, self-interested alien… that’d be a cool way to drive the plot.’ But then, instead of developing further, he just decided to write about ‘leverage’ every single time that alien showed up. Where’s my leverage. I must have leverage. Leverage! We get it, Hubbard. We get it. The book also spends about 150 pages at the beginning with an alien trying to figure out what to feed a human. Not a joke. Well, let’s just say I am not impressed by this one.”

54. Journey to the Center of the Earth by Jules Verne Grade: B-
“It was a wonderful adventure full of imagination. Verne was far ahead of his time, and his novels, like those of Wells’, make you really appreciate the ‘speculative’ aspect of speculative fiction. However, it never felt like we got to fully cash in on the strangeness of the world. Simply having a premordial sea in which dinosaurs and ancient creatures move about was not as cool as it could have been. It’s clearly good, but dated.”

55. To Your Scattered Bodies Go by Philip Jose Farmer Grade: C-
“Farmer had all of humanity to choose from for his characters, and he chose some truly awesome figures. The problem is that he never gave any one character the time or space to develop properly and show the unique personality of each. The characters should surely speak in radically different voices, have conflicting concerns, and even see the world in quite diverse ways. But instead, each character was a fairly standard science fiction trope with a historical figure’s name slapped onto him or her. Their voices all sounded the same to me on almost every page. The book came very highly recommended from a number of sources. I’m pretty disappointed, to be honest.”

Links

J.W. Wartick- Always Have a Reason– Check out my “main site” which talks about philosophy of religion, theology, and Christian apologetics (among other random topics). I love science fiction so that comes up integrated with theology fairly frequently as well. I’d love to have you follow there, too!

Be sure to follow me on Twitter for discussion of posts, links to other pages of interest, random talk about theology/philosophy/apologetics/movies/scifi/sports and more!

Reading through the [Alleged] Best 100 Science Fiction Books– Check out more posts in this series as I continue.

SDG.