Never to Live is madness. The main character, Elwyn, is tortured into madness after she agrees to try to stop an ancient evil. The book then follows Elwyn and a cast of characters on an adventure which seems as disjointed as Elwyn’s mind. There will be SPOILERS below.
Terms are introduced with little-to-no definitions anywhere in the book. Things like “loxasta” are mentioned but their role is never clearly defined nor is there ever enough description to know what they might be motivated by. Locales are as bare bones as possible, often with no description so that it comes as a surprise when someone steps out from behind a tree (after all, how did we know trees were here when there was no description?). Characters similarly have almost no detail, with readers left to try to fill in the pieces of their motivations, descriptions, and backgrounds. All of this is a bit surprising in a book that comes close to 700 pages.
What is done with those 700 pages? The first 100-200 pages are largely a trip through the mad mind wanderings of the main character, Elwyn. There’s not enough detail to explain why these memories are chosen or what context they might have or how, exactly, the torture is happening or even really for what reason. Yes, hints are dropped, but they never meld together to form anything coherent. The next 400+ pages are basically just following the set of characters–largely without motivations–through a journey through the land. During this journey, one character discovers the ability to turn into a dragon, another starts sprouting roots (!), others discuss their thoughts with a demonic character, a dragon shows up, a were-panther follows Elwyn around (why?), and more.
All of this makes sense, in a way, because Never to Live never sets ground rules for how the world works. There are no apparent restrictions on the possible, so having characters randomly start turning into a plant only to reveal later a link between that and a covenant with the dryads–another faction without any background (along with the loxasta, the “kings”–apparently some malicious rulers of some land, though it’s never entirely sure which land where or why, etc.)–seems almost reasonable. The problem is that because there seem to be virtually no rules, no descriptions, and no background, the book never gets its feet grounded in a reality that readers can relate to. It seems entirely disjointed throughout, with little reason to care about what’s happening.
Even when the story starts to wrap up (page 600 and following), some threads are tied, but completely new open-ended thoughts are introduced, like a horse that apparently was Elwyn’s son the whole time. The ending is probably the best part, but it does little to tie up all the loose ends or even make sense of the world in which the story takes place.
On the plus side, there are some interesting points brought up by a character named Weaver–possibly a God stand-in but it is never clear–regarding theology and philosophy. Moreover, the exploration of self-worth and the concept of reducing a main character to madness is intriguing, it just doesn’t work as portrayed in this book.
Never to Live is a tough read. I re-read multiple sections, even going back and re-reading the introductory chapters a few times after things related to them popped up later in the book. Even after that work dedicated to the book, I am left with the conclusion that it is, unfortunately, a jumbled and faceless outline of a story rather than a complete story on its own.
+Some intriguing philosophical/theological points
-Completely incoherent opening
-Characters receive almost no development
-Locales have almost no description to ground them
-Ideas are introduced seemingly at random
-Key terms insufficiently explained
-No motivations for characters
At times incoherent, and on the whole lacking in development, Never to Live is a sometimes tantalizing mess.
I received a review copy of this book from Enclave publishing. I was not influenced or required by the publisher to write any kind of review.
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Just B. Jordan, Never to Live (Colorado Springs, CO: Enclave, 2009).
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