My Read-Through of the Hugos: 1960

Yeah, that’s a sPaCe BlAsTeR!

I’ve almost completed my read-through of the top science fiction books of all time and was casting about for something else to do. I decided that reading through the list of Hugo award winners and nominees wasn’t a bad way to spend my time.

Starship Troopers by Robert A. Heinlein (Winner)- Grade: B+
Heinlein created a somewhat surreal story with a surprising lack of actual trooper-ing happening. I mean, there’s a lot of lead-up to fighting scenes, but very little of the action is portrayed. It’s good, but not quite as good as I was expecting. It also features what would become even more pronounced in later Heinlein writings- an insistence that you as a reader sit and read lengthy sections where he expands on his views of sex or economics. Despite that, it comes out at the other end a quite good novel, if not necessarily worthy of the hype it has. Hey, it’s better than the movie!

Dorsai! (AKA Genetic General) by Gordon R. Dickson- Grade: C-
It’s easy to see how this book influenced so much other military science fiction. It is also easy to see why it hasn’t remained the enduring classic that some of the others on this list have. It’s full of dull, stilted inner dialogue, thin characters, and ho-hum battle scenes. A stage setter? Absolutely. Still worth reading? Only for the historical value of it.

The Pirates of Ersatz (AKA The Pirates of Zan) by Murray Leinster- Grade: A-
Space pirates? I was pretty sure nothing could go wrong there, but I was surprised by how thoughtful this book was, and how not much at all like a pirate novel it turned out to be. I expected a campy book about some free shooting space pirate blowing stuff up. Yes, there is plenty of piracy here, but the novel is not about the action of space pirates raiding other ships. It’s about the main character, Bran Hodder, and his interactions in a sometimes careless universe. He initially is thrown into the plot because of a rather comedic scenario in which he accidentally made a possible death-ray emitter. From there, he goes on to fulfill a few action/adventure tropes, but he also has a fair share of Robin Hood in him (itself its own trope). But Leinster weaves these trope-like ideas together in a way that makes sense and actually contributes to the overall plot. It’s a very good read that holds up surprisingly well.

Brain Twister (AKA That Sweet Little Old Lady) by Mark Philips- Grade: B-
There is a healthy dose of humor in this pseudo whodunnit, pseudo action adventure, maybe slightly Red Scare novel. I’m still not sure what to make of it. The science fiction in it is downplayed, but essential to the plot. It’s a fun romp that you can read in just a few hours, and if you find it at a library or something I’d recommend taking the time to do so, just so I can ask you what the devil happened.

The Sirens of Titan by Kurt Vonnegut- Grade: F
I have read enough of his books to think that yes, it’s him and not me. Anyway, this book has some bare bones plot about people going places and doing things so that you, the reader, may be subjected to a constant stream of consciousness of same-sounding dialogue that tells you about Vonnegut’s ideas. Nothing by Vonnegut is worth reading, in my opinion. His “dark humor” is laughably quaint and based on stupid jokes. His alleged wit about the way of the world is trite. His characters are infants. His dialogue is forced. His reflections on religion could be refuted by a first year theology student. There is nothing here that is not found in every other one of his books, recycled and reused. It is awesome in its awfulness.

Links

J.W. Wartick- Always Have a Reason– Check out my “main site” which talks about philosophy of religion, theology, and Christian apologetics (among other random topics). I love science fiction so that comes up integrated with theology fairly frequently as well. I’d love to have you follow there, too!

My Read-Through of the Hugos- Read more posts in this series and follow me on the journey! Let me know your own thoughts on the books.

Be sure to follow me on Twitter for discussion of posts, links to other pages of interest, random talk about theology/philosophy/apologetics/movies/scifi/sports and more!

SDG.

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Reading Through the [Alleged] Top 100 Science Fiction Novels- #76-80

I’m a huge science fiction fan, but realized I haven’t read a lot of those works considered classics or greats. I decided to remedy that, and found a list online of the Top 100 Science Fiction Books. The list is determined by vote from sci-fi fans online, so it may change over time. I am going off the order of the list as it was when I first saw it. Each book will receive a grade between F and A+ as well as very brief comments. I’m interested to read what you think about these books as well. There will be very minor spoilers in some of these.

76. The Fifth Head of Cerberus by Gene Wolfe Grade: B-
“As I read this, I understood how beautiful it was, and how it could easily be among others’ favorites. I’m not sure if it’s just the mood I was in, or what, but I could not get into it. The style seemed much more interested in prose than in telling the story, and that made it difficult to get into. Of the three novellas included here, I enjoyed the third the most, with its tie-ins to the previous ones. I suspect on a re-read I might enjoy it more, so I should get back around to it someday.”

77. Out of the Silent Planet by C.S. Lewis Grade: B+
“Several parts of it seem dated–particularly the narration style, which draws heavily from H.G. Wells. Many good ideas are here, however, which make up for a somewhat disappointing lack of characterization given Lewis’ immense success at the same task in his Chronicles of Narnia. I enjoyed the different types of aliens, as well as the adventuresome plot. It’s a good, but not superb book.”

78. Ilium by Dan Simmons Grade: A
“A futuristic-ish reinvisioning of Homer’s epic with robots, insane technology, aliens, and more? Yeah, only Simmons could pull this off and not utterly destroy the source material. It’s not quite at the transcendent level of Hyperion, but it is simply phenomenal nonetheless. The different strands of the story get pulled together in surprising and satisfying ways, and it sets up for a sequel in a perfect fashion. I’m hoping the sequel will be just as good.”

79. The Three Stigmata of Palmer Eldritch by Philip K. Dick Grade: C-
“The later in Dick’s career I get on this list, the less I like his novels. Thankfully, he actually constructed an attempt at a story with characters for this one. The problem is that the characters and plot aren’t very compelling. It’s one of those books you finish and you think: ‘Well, that was okay, I guess.’ And really, that’s all this book was. Okay.”

80. Altered Carbon by Richard Morgan Grade: A
“It’s a sci-fi noir novel. Does there need to be any other reason to read it? Oh, yeah, and it’s a satisfying mystery, too. I forgot to mention that the science fiction aspects of it actually lend themselves to the mystery without feeling like they were invented merely to make the mystery easier to solve or make sense. It’s pretty fantastic. The reason I marked it down is because I think the sheer amount of explicit sex and extreme violence was overdone. Unlike many books, both make sense for the sake of the plot, but that doesn’t mean I have to enjoy reading them. Apart from those aspects, this novel was superb, and I think most readers would agree.”

Links

J.W. Wartick- Always Have a Reason– Check out my “main site” which talks about philosophy of religion, theology, and Christian apologetics (among other random topics). I love science fiction so that comes up integrated with theology fairly frequently as well. I’d love to have you follow there, too!

Be sure to follow me on Twitter for discussion of posts, links to other pages of interest, random talk about theology/philosophy/apologetics/movies/scifi/sports and more!

Reading through the [Alleged] Best 100 Science Fiction Books– Check out more posts in this series as I continue.

SDG.

Reading through the [Alleged] Top 100 Science Fiction Books- #71-75

I’m a huge science fiction fan, but realized I haven’t read a lot of those works considered classics or greats. I decided to remedy that, and found a list online of the Top 100 Science Fiction Books. The list is determined by vote from sci-fi fans online, so it may change over time. I am going off the order of the list as it was when I first saw it. Each book will receive a grade between F and A+ as well as very brief comments. I’m interested to read what you think about these books as well. There will be very minor spoilers in some of these.

71. The Player of Games by Iain M. Banks (1988) Grade: A+
“Banks is a marvelous writer with stylistic flair and skill that is nearly unmatched. This story of a man who really just wants to play games develops as a slow burn, but touches on questions and ideas that are rarely even considered in science fiction. It is nearly impossible to describe how stunningly unique some of Banks’ ideas are. I mean this truly: there are ideas in this book which take a page or so to describe and are never touched again (i.e. they are used as ‘flavor’ for the universe) that could easily make a series of novels well-worth reading. Sure, there might be one point in this book that makes it difficult to believe a character would act the way that character does, but that small flaw does not keep this form being among the greatest science fiction novels of all time.”

72. A Princess of Mars by Edgar Rice Burroughs (1912) Grade: A
“It’s campy, classic, and fun. Burroughs created a world in which a cowboy can rule Mars. This is a classic for good reason. It has tremendous action and adventure all the way through, with just the barest nods to how silly it can be at times. More importantly, Burroughs managed to combine that action with a pretty interesting overarching narrative that continues through the series. The core of the story is obvious, but the window dressing is superb. It’s the kind of book that is fun to read all the way through. It’s excellent.”

73. Doomsday Book by Connie Willis (1992) Grade: A
“Sometimes a book’s plot and characters are so raw, so emotionally captivating, that you’re willing to look past even major flaws. Doomsday Book was such a book for me. There are some big problems here, such as the fact that the first 300 pages or so of the ‘future’ time period is taken up with people running around trying to get a hold of others on landline phones or passing out just before they convey some absolutely essential piece of information. A couple times? Not too bad. Constantly? It starts to get old. But throughout this first section and through the end of the book, the story of a lone historian, Kivrin Engle, is utterly enthralling. She finds herself trapped in the midst of untold suffering of the Black Death in England, sees the struggles of the everyday people in the 14th Century, witnesses genuine faith, feels complete hopelessness, and more. Throughout it all, I could not put it down. It was so emotionally rich that it felt like I must race to the conclusion lest I lose myself utterly. It’s a fabulous story that transcends whatever flaws accompany it.”

74. The Road by Cormac McCarthy (2006) Grade: B+
“I truly do not understand why there is so little punctuation in this book. For that, it gets knocked down a few notches. I read about how ‘concise’ and ‘clean’ this type of prose is, but I think that if something is written such that I would have received an ‘F’ on it in English class, there’s a problem. That said, McCarthy’s take on the post-disaster genre is interesting, mostly for its incredibly narrow focus on two characters who have apparently no impact on any wider events. It’s unrelenting in its bleakness, and I love me some bleakness. It’s dreadfully sorrow-filled, but ultimately offers the barest glimpses of hope throughout. Disturbing, but beautiful. I enjoyed it, even though I was really annoyed when there weren’t quotation marks.”

75. Citizen of the Galaxy by Robert A. Heinlein (1957) Grade: C
“I thought the start was promising regarding the characters, but it didn’t develop much of a plot. Yes, things happen, but despite some rather world-shaking revelations, all of it is delivered in a rather mundane style that makes it difficult to connect to the wider events. It’s an interesting story, overall, but one that wasn’t executed as well as it could have been.”

Links

J.W. Wartick- Always Have a Reason– Check out my “main site” which talks about philosophy of religion, theology, and Christian apologetics (among other random topics). I love science fiction so that comes up integrated with theology fairly frequently as well. I’d love to have you follow there, too!

Be sure to follow me on Twitter for discussion of posts, links to other pages of interest, random talk about theology/philosophy/apologetics/movies/scifi/sports and more!

Reading through the [Alleged] Best 100 Science Fiction Books– Check out more posts in this series as I continue.

SDG.

My Read-Through of the Hugos: 1959

I have no idea who thought this was a good cover for this book, but here we are.

I’ve almost completed my read-through of the top science fiction books of all time and was casting about for something else to do. I decided that reading through the list of Hugo award winners and nominees wasn’t a bad way to spend my time. Each year, I will show which novel won the Hugo, as well as my own choice from the bunch of which should have won. They aren’t always the same!

We Have Fed Our Sea AKA The Enemy Stars by Poul Anderson- Grade: C
It’s a kind of space adventure that this period is particularly known for, but I couldn’t honestly see anything distinguishing or interesting about this particular book. It’s an inoffensive, at times entertaining romp in a thoroughly 1950s style science fiction setting. If you like that, read it. If not, it’s probably skippable.

Who? by Algis Budrys- Grade: C
A man shows up and claims to be a lost scientist, but here’s the catch: the Soviets have had him under their power for a time. Is he really who he claims to be? Can he be programmed as a spy? Yep, there’s a lot of Red Scare in this one, and the characterization and pacing isn’t all that great, but the idea of it is interesting enough. How do you know someone is someone? What makes you you? Those are the kind of questions that are explored, with however blunt an instrument, in this book.

A Case of Conscience by James Blish (Winner)- Grade: B
I find Blish’s writing style to be a bit impenetrable for my taste. It’s like reading something through a fog. I don’t know how else to describe it. In this work, we have one of the few forays into religious questions found in this era of science fiction. How can an alien race without religion be moral? The Jesuit priest in this book asks that question and ultimately doesn’t really get an answer, leading to some spectacular difficulties in the process. Reading the book, though, is like wading through mud. I enjoyed the ideas, but had difficulty understanding the writing.

Have Space Suit – Will Travel by Robert A. Heinlein- Grade: C
Younger Heinlein is in top form here, which means you get his action with much less of his preaching at you about how we should all have sex all the time. Unfortunately, this early Heinlein is not as talented as some of the later Heinlein turned out to be, though I think Heinlein’s works are kind of a roller-coaster of quality. Anyhow, this one is basically just a coming of age story with a spacesuit. If that sounds interesting, you’ll probably like it well enough.

Time Killer AKA Immortality, Inc. by Robert Sheckley (My Winner)- Grade: B+
The premise initially seemed pretty standard–a man gets sucked into the future without any knowledge of what’s happening to him. But as the story developed, the intricacies Sheckley adds, layer by layer, to the plot and premise makes the book feel more and more special. Exploring what would happen if there were a scientifically verifiable afterlife was an unexpected pleasure, as was the way Sheckley deftly danced around questions of the mind-body problem, religion, and more. None of it seemed heavy-handed, which is what I was expecting once I got a feel for what was happening in the book. Instead, it was a unique look at one of sci-fi’s tropes- transhumanism/immortality. It also had a couple compelling characters, which isn’t always the case in some of the classic sci-fi. I recommend this one, folks.

J.W. Wartick- Always Have a Reason– Check out my “main site” which talks about philosophy of religion, theology, and Christian apologetics (among other random topics). I love science fiction so that comes up integrated with theology fairly frequently as well. I’d love to have you follow there, too!

My Read-Through of the Hugos- Read more posts in this series and follow me on the journey! Let me know your own thoughts on the books.

Be sure to follow me on Twitter for discussion of posts, links to other pages of interest, random talk about theology/philosophy/apologetics/movies/scifi/sports and more!

SDG.

A Stunning Epic – “Empire of Silence” by Christopher Ruocchio

A friend recommended I read Empire of Silence by Christopher Ruocchio. I’m a sucker for science fiction, and I knew this friend had great taste, so I went and got it almost immediately. I was blown away as I devoured it over the next four days. I’ll avoid SPOILERS in what follows, because I just want to encourage you, dear readers, to go grab this book ASAP and read it.

The novel is told by Hadrian Marlowe looking back on his own life. It’s a kind of memoir/autobiographical storytelling style that I personally find captivating. It goes beyond a simple first person perspective by inserting “historical” notes into the text as you’re reading, casually dropping bits of world-building and storytelling into the main narrative. In this regard it reminds me of Fitzpatrick’s War by Theodore Judson, though that overlooked masterpiece probably won’t ring many bells. Anyway, the first person style is usually offputting to me, though I have enjoyed my share of first person perspective novels. For those who enjoy their sci-fi/fantasy in epic style, the first person narrative here doesn’t take away from that in any way.

Again, I’m really hesitant to spoil anything, so to introduce the plot I’ll just tell you what Hadrian himself tells you at the beginning. Hadrian is a man that would be reviled for killing a sun, and all those around it. He is writing from a point well in the future of where this novel begins, telling we readers the “real story” of what actually happened to get him to the reviled hero he is. Along the way, we learn much of Hadrian’s life, motivations, and meet many, many characters, each with unique personalities and contributions to Hadrian’s capacities and actions.

There’s a wealth of sci-fi greats I could see as inspiring Ruocchio’s book. The world building and writing style made me think of Iain M. Banks. The epic scale of the universe could only recall Dune. There’s a splash of Star Wars there, too, though only in the sense of the rise of a hero (anti-hero?) character. I’d be remiss to mention some aspects of the film Gladiator getting mixed in, too. And, for what it’s worth, I really got strong vibes from Pierce Brown’s Red Rising series mixed in, too.

If this seems like a grab-bag of awesome things, I’d like to downplay that a bit. Ruocchio has undoubtedly created his own style and carved out his section of the sci-fi universe. If it is reminiscent of all of these other awesome novels, that’s not because it is derivative. The richness of the narrative cannot really be overstated here. There are times the scale seems incredibly huge, but the reader is never left adrift because the narrative ties us down to Hadrian’s life and perspective, giving us a way to navigate the huge universe. As even more elements pile onto the plot–notably linguistics and archaeology coming into play–Ruocchio manages to balance all these elements and weave them into a deeply personal narrative that turns Hadrian into a fascinating, real character.

Perhaps most importantly for a novel like this–a near 600 page epic–is that although it is part of a larger series (according to a Tweet from the author after I asked him, it will span 4 books along with potential side stories), it has a satisfying ending. Readers won’t feel cheated or baited by the end. Instead, they’ll be lining up to get the next book, knowing how excellent this one was. Hadrian’s concluding lines in the book help to make it feel, truly, like the first volume of an immense memoir.

Without a doubt, Christopher Ruocchio has created a fantastic universe to explore. Empire of Silence is a superb space opera on an epic scale. I recommend it very, very highly. What we are seeing with this book is, I think–as does my friend who recommend it–the rise of a new genre master.

Links

“Space Unicorn Blues” and “The Stars Now Unclaimed” – Two Recent Debut Science Fiction Novels Worth Noting– Come read about two exciting science fiction debuts that couldn’t be more different. Space unicorn wha?

“Gate Crashers” and “Space Opera” – Two wild first contact novels– Do you like first contact sci-fi? Here are a couple novels to look at if you like a helping of humor to go alongside it.

J.W. Wartick- Always Have a Reason– Check out my “main site” which talks about philosophy of religion, theology, and Christian apologetics (among other random topics). I love science fiction so that comes up integrated with theology fairly frequently as well. I’d love to have you follow there, too!

Be sure to follow me on Twitter for discussion of posts, links to other pages of interest, random talk about theology/philosophy/apologetics/movies/scifi/sports and more!

SDG.

Reading through the [Alleged] Top 100 Science Fiction Books- #66-70

I’m a huge science fiction fan, but realized I haven’t read a lot of those works considered classics or greats. I decided to remedy that, and found a list online of the Top 100 Science Fiction Books. The list is determined by vote from sci-fi fans online, so it may change over time. I am going off the order of the list as it was when I first saw it. Each book will receive a grade between F and A+ as well as very brief comments. I’m interested to read what you think about these books as well. There will be very minor spoilers in some of these.

66. Sphere by Michael Crichton (1987) Grade: C-
Apparently I can’t count and in my last post, going 5 at a time, I included this one. Oops, now it gets to be here twice.
“It’s not nearly as polished as The Andromeda Strain, and its core premise isn’t as strong as Jurassic Park‘s. What’s left is an interesting idea that seemed to me to get less and less entertaining as it went along. I had higher hopes for this one, to be honest. The payoff at the end is fairly low compared to Crichton’s other works, and because of this some of the flaws in his writing style are more distracting. Let’s not forget an over-defensive caricature of a female scientist, which may have been a rather poor attempt at introducing a pro-woman narrative into the plot (it didn’t work out). The biggest problem with the book is that it seems to get progressively less wonder-filled and devolve into a rather simple thriller. Not what I have come to expect from Crichton.”

67. The Demolished Man by Alfred Bester (1953) Grade: A-
“I thought I had the whole book figured out fairly early on, but Bester got me big on this one at a number of points. I didn’t figure out the ‘truth’ at the center of the novel until the very last pages. I am the kind of person who doesn’t really try to figure things out because I enjoy the development, so that doesn’t necessarily mean it was a masterful manipulation of the plot, but I think it speaks well of the strength of Bester’s storytelling. Does he rely on some pretty outdated psychology? Absolutely, but that doesn’t take much away from the overall enjoyment of the work. Reading this list has clearly taught me that science fiction + mystery = awesome.”

68. Revelation Space by Alastair Reynolds (2000) Grade: A
“Reynolds has managed to construct one of those rare books that manages to truly convey the scale of a space opera while not losing itself. The disparate plots come together in a satisfying way, and the sheer bigness of it is delicious. Throw in a healthy dose of alien archaeology and this is a book I will remember for a while. In fact, some time ago I read just the opening scene at a book store, but couldn’t remember what book it was from until I picked this one up from the library for this list. That openig scene, with its hidden archaeological secrets, had stuck with me for perhaps a decade or more. Now that I’ve read the whole novel, I’m pleased to say it stands up well.”

69. The Door into Summer by Robert A. Heinlein (1956) Grade: C+
“It doesn’t reach the greatness of some of his other works, nor does it hit the depths of some of his misses. It’s a competent, somewhat tongue-in-cheek story about time travel and corporate baddies. I enjoyed it not so much for the end product as for the clear fun that was had on the journey. It’s silly, but not so silly as to put you off. A worthy read, but not a great one.”

70. The Stainless Steel Rat by Harry Harrison (1961) Grade: B+
“A classic campy adventure novel, The Stainless Steel Rat hits on just about all the points one expects from its time period and genre. It is clearly referential to the time in which it was written, and has some backward views represented therein. It is also a constant stream of action and adventure that left me feeling almost exhausted afterwards. A fun read.”

Links

J.W. Wartick- Always Have a Reason– Check out my “main site” which talks about philosophy of religion, theology, and Christian apologetics (among other random topics). I love science fiction so that comes up integrated with theology fairly frequently as well. I’d love to have you follow there, too!

Be sure to follow me on Twitter for discussion of posts, links to other pages of interest, random talk about theology/philosophy/apologetics/movies/scifi/sports and more!

Reading through the [Alleged] Best 100 Science Fiction Books– Check out more posts in this series as I continue.

SDG.

“Gate Crashers” and “Space Opera” – Two wild first contact novels

I quite enjoyed sharing my last couple reads of debut novels with you (Space Unicorn Blues and The Stars Now Unclaimed) and figured I’d keep doing some of these little book posts. Here, I want to review two humorous first contact novels I read recently.

Space Opera by Catherynne M. Valente

I love space opera. It is perhaps my favorite subgenre of science fiction, and I read a ton of science fiction. When I saw a book entitled simply, “Space Opera,” I was intrigued. When I saw the cover and the tagline “In space, everyone can hear you sing,” I put it on the “to read” pile for when I was ready for what I assumed would be a funny romp.

I wasn’t wrong. Catherynne M. Valente is clearly a talented author, and her humor is cut from the same cloth as Douglas Adams. At multiple points, I was reminded quite vividly of Adams’ writing, but never in a derivative way. Valente has her own brand of dry humor that will make you laugh, really laugh at life. Yeah, life–in the all-encompassing everything that is alive now kind of way.

The plot is zany: humans are contacted by some species and told we can produce our best talent to compete in a universe-wide talent show and not lose or be killed. So a washed up pseudo one-hit-wonder type of band gets brought back together to show the galaxy what-for. It’s ridiculous but it somehow works. It’s full of what would almost certainly be anachronisms and occasionally stilted dialogue, but by gum it still works. Valente basically wills this novel into being in a way that feels fresh and frankly hilarious throughout. You care about the characters more than some of them perhaps deserve, and the aliens introduced are interesting. But what makes it tick, again, is Valente’s almost casual wielding of humor that never gets in the way.

Space Opera is perhaps a little bit too over the top at times, but Valente cashes in on a wildly funny premise, fills it to the brims with wit, and brought me laughing to a satisfying finish. Readers who enjoy Douglas Adams should run to get it.

Gate Crashers by Patrick S. Tomlinson

What if we are totally incompetent when it comes to contact with other species? What if they were just as confused by us as we were by them? What if we found out they were trying to just ignore us? Tomlinson touches on all these questions and stirs in a helping of humor in his intriguing Gate Crashers, a rare self-contained space opera/first contact novel that hits back at several tropes.

The book is ultimately more serious than you might be lead to expect by the extended introduction. There is a lot of depth here, and readers hoping for a simple laugh riot may be disappointed by a lengthy middle portion introducing many side characters and much exposition. But it is this central portion that sets up for a rather satisfying conclusion that Tomlinson deftly handles in a way that doesn’t disappoint.

Gate Crashers is an entertaining read, though at times I wondered what the central theme or motivation is. Nevertheless, I enjoyed my time spent in this jaunt. I recommend it for people who think C.J. Cherryh needs more humor and less verbosity (I don’t know why Cherryh came to mind, as Gate Crashers only tangentially reminds me of her work, but that’s where I’m at as I type this up).

Links

J.W. Wartick- Always Have a Reason– Check out my “main site” which talks about philosophy of religion, theology, and Christian apologetics (among other random topics). I love science fiction so that comes up integrated with theology fairly frequently as well. I’d love to have you follow there, too!

Be sure to follow me on Twitter for discussion of posts, links to other pages of interest, random talk about theology/philosophy/apologetics/movies/scifi/sports and more!

SDG.