Nominating for the 2022 Hugo Awards! – A Reader Weighs In

It hasn’t been that long since the 2021 Hugo Award winners were announced, but it’s already nominating season for the 2022 Hugo Awards (and other related awards). I wanted to share with you some of my thoughts on works I will be pulling for and think you ought to consider nominating as well! I have some categories I need to fill out, so let me know your recommendations.

Best Novel

Novels are my preferred format, and I read more than 600 books last year. To be fair, a huge majority of those weren’t published in 2021, so that narrowed it down quite a bit. I still can’t get myself down to a top 5, though, and so I’m sharing some of my choices here in the hopes that you’ll weigh in and help me decide which to put on my nominating ballot.

Empire of the Vampire by Jay Kristoff- A dark epic fantasy about a world in which vampires have taken over after they used some kind of evil spell to darken the world and give them freedom to conquer. The story follows the narrative of  Gabriel de Leon, a vampire hunter known as a Silversaint. De Leon uses the combination of silver tattoos and vampiric powers to take the battle to the undead as he tells his story to a servant of the Vampire Empire itself. The relentless violence and action in the novel is supplemented by numerous twists and turns that keep readers guessing all the way through. It’s a fabulous read.

Project Hail Mary by Andy Weir- I always feel a bit nervous diving into a novel that is super hyped. Too often, it sets expectations so high that it gets hard to feel anything but unsatisfied after reading it. Andy Weir’s The Martian was a fun read, though, and I wanted to dive into his latest book. I’m glad I did, because Project Hail Mary lives up to the hype. It’s an inventive hard science fiction story that keeps throwing new wrenches into the works. Weir has a way of creating the atmosophere of “just one more chapter” in every chapter. I hugely enjoyed this book from cover-to-cover.

Catalyst Gate by Megan O’Keefe- The finale to O’Keefe’s “The Protectorate” series is a brick of a book with extensive political (and other) intrigue. This is a space opera/adventure novel that punctuates character moments with intense action scenes. It’s a fine conclusion to a great series.

The Helm of Midnight by Marina Lostetter- I went into this one with no expectations and walked away totally sold on the setting and characters. Speculative fiction being mashed up with mysteries is one of my favorite ways to do things, and The Helm of Midnight has mystery and intrigue in spades.

Shards of Earth by Adrian Tchaikovsky- Tchaikovsky continues his blend of unique aliens, excellent action, big questions, and great characters with this novel, first in a series. It’s an epic space opera that certainly delivers the goods time and again.

Chaos on Catnet by Naomi Kritzer- Kritzer raises questions about religion, who we are, how to perceive reality, and teenage angst in this delightful read that continues the Catnet series. I was shocked beyond all when I fell in love with the first book, and this was among my most anticipated reads this year. It did not disappoint.

To End in Fire by David Weber & Eric Flint- Hey, everyone has favorite series/authors. David Weber is one of mine, and it’s beyond insane to me that he’s never gotten even a nomination for his many wonderful Honor Harrington books, Safehold series, or any of his other great books. This novel continues another side series to the main Honor Harrington series, and I know that it’s so many books in that it’s unlikely to get a nod, but dangit, Weber deserves it and I’m going to keep pulling for him. This book is a satisfying info dump of a novel that helps wrap up a number of loose threads and advance the story, and I love it.

Jade Legacy by Fonda Lee- The finale of the Green Bone Saga is a massive epic urban fantasy. I cannot emphasize how fantastic this series is, and Lee is just an absolute master of the genre. Magic, double-dealing, mafia-esque crime rings, and more abound.

Short Story

Here’s a category I have some catching up to do on, but I have a bunch of sci-fi magazines from which I can pick my favorites. I do have one work to discuss here, though.

Proof by Induction” by José Pablo Iriarte- this story rocked me when I read it early this year. In this story, Iriarte weaves an absolutely gripping story about the loss of a parent around some technology that allows a kind of continuing relationship with the deceased. I don’t want to spoil too much, and the story is freely available at the link I put there in the title, but this is a fabulous read. I lost my dad in 2020, and this short story helped me work through some of my own lingering issues and brought me to tears more than once. I consider it among the finest reads I encountered all year, and definitely an early choice for my best short story.

Best Related Work

Out of This World: Speculative Fiction in Translation from the Cold War to the New Millennium by Rachel Cordasco- An academic book about, well, what the title says. It’s a fascinating read by a true expert in the field and deserves to be on the ballot.

“The Problem(s) of Susan” by Matt Mikalatos (Tor.com)- What to do with Susan Pevensie in The Chronicles of Narnia? I love Mikalatos’s approach here, and with the continuing influence of C.S. Lewis and the beautiful prose and thoughtfulness of this essay, I’d love to see it on the Hugo ballot.

“Pro Wrestling is Fake (But You Already Knew That)” by Veda Scott (Uncanny)- I had a brief love affair with pro wrestling, even to the point where a bunch of us in college paid for the Pay-per-view for Wrestlemania. It was a lot of fun seeing the storylines and the humor surrounding the drama on the stage, and this article by Veda Scott was an absolute delight to read.

True Believer: The Rise and Fall of Stan Lee by Abraham Riesman- A fascinating biography of the (in)famous Stan Lee that shows his life both good and bad. I highly recommend it to any fans of comics, movies, or even speculative fiction generally. It’s a fabulous biography.

Best Novella/Novelette

Would love some suggestions here, but novella must include Elder Race by Adrian Tchaikovsky because he’s the best.

Lodestar Award

I’m still doing my reading for this, so I’d love some suggestions.

Redemptor by Jordan Ifueko- the finale to her duology, this is another fantastic read that combines some unique magical trappings with great character building and epic moments.

Best Series

I think this is one of the most fun categories for which to nominate works. It’s also a great way to see what others are reading and pick up some new series.

The Green Bone Saga by Fonda Lee- What if The Godfather was about Yakuza-esque criminals and had magic and questions of colonialism? Yes, this series is that and then some.

InCryptid by Seanan McGuire- One of my favorite authors continued perhaps my favorite series of hers here. The InCryptid series features a bunch of awesome use of cryptid-like and fairytale monsters along with some originals, all with sets of rules and a family trying to deal with all the drama. Truly some of the most fun books to read that I know of, and I would love to see it get a nod here.

The Books of Babel by Josiah Bancroft- I am finding myself at a loss for words trying to sum up this series. It starts with a man trying to find his wife in the Tower of Babel, only to get sucked into a wonderful adventure that features sardonic humor, a myriad of characters, and so many wonderful locales. It’s a truly amazing experience and this series is fantastic.

The Protecorate by Megan O’Keefe- This series moves from being a rather intimate story about two characters into a massive space opera over the course of three books, and each one has its own unique feel. I hugely enjoyed this series and commend it to you.

Best Fancast

I’m intensely biased here, having appeared twice on the “Hugos There” Podcast, I would love to have it nominated for a Hugo! Please! Also, “Hugo, Girl” is an absolute delight in every episode and ought to be on your nominating ballot.

All Editors/Artist categories, as well as Fan Writer and more

Still doing research and would love recommendations.

Cora Buhlert- she was nominated last year, but definitely deserves to be on the ballot again.

My Read-Through of the Hugos: 1977

I’m a huge science fiction fan, and, having read a list of what are alleged to be the top 200 science fiction novels, I decided to next tackle a read-through of all the Hugo Award winners and nominees for best novel. Let me know your thoughts and favorites. I’ve marked the winner as well as my own choice for which novel would win, had I the choice among the nominees. I’ve also dropped a short reflection on the year’s Hugo list at the end.

Mindbridge by Joe Haldeman (My Winner)- Grade: A-
Haldeman’s Mindbridge is a fascinating work of sociological sci-fi that explores what humans might do with things like mind reading powers, teleportation, and first encounters with aliens. Haldeman deftly handles an almost kaleidoscopic novel with everything-and-the-kitchen-sink thrown into it and still pulls out a coherent and even fascinating plot. The reason I’ve downgraded it a bit is that there are some unfortunate aspects of the future world. I’m happy enough to suspend my disbelief regarding some aspects of future humanity, but the whole concept of using women as essentially breeding material out in the stars is very yikes to me. Yes, they go willingly to do so, but one could argue it is coercive due to the contractual obligations built in for any women who want to explore the stars. Sure, the men also have obligations, but there seems to be a latent misogyny here, though not as blatant or overt as some other novels from the period. I was deeply impressed by Haldeman’s handling of the many plot threads he juggles, and frankly didn’t see some of the directions he took coming at all. It’s not a particularly twisting plot, either. It is just quite well crafted. A highly enjoyable piece of sci-fi if you’re willing to look past some of the flaws. 

Where Late the Sweet Birds Sang by Kate Wilhelm (Winner)- Grade: B-
I initially loved this book. The opening was awesome. I thought it was going to be this epic story of a family struggling to meet the coming collapse of civilization in some kind of pastoral setting. But then, a sharp turn was taken, and the book jumps ahead a few times as we see the real story is about what happens to the clones that same family had set up to try to solve problems of depopulation in a post-apocalyptic setting. And I have to say… I was a bit disappointed. The initial characters were really just foils for the personality of the later clones, and I felt almost betrayed by the shift in premise. Perhaps this is one where I should have read the pitch on the back cover before diving in, because I think if my expectations hadn’t been so dramatically thwarted, I would have enjoyed it more. As it is, I still wrote about it for Vintage Sci-Fi Month, because there is much to discuss in this intriguing, sometimes familiar, often alien novel. 

Children of Dune by Frank Herbert- Grade: B
Following up Dune would feel a monumental task, I would think. but Herbert does an admirable job with Children of Dune. There’s something ineffable about this book that makes it tantalizing all the way through, even in the places where it could potentially drag due to its rather mundane plot. I think it’s the world that Hebert created and the sense of awe about the feel, texture, and rhythm of the same. I have to out myself here, though, I honestly enjoy the Brian Herbert/Kevin J. Anderson works well enough. I know they’re largely panned by a bunch of Dune fans, but for one thing, I don’t really care about gatekeeping fandoms. Yes, I’m a “real” fan of Dune even if I like the other books. For another, I enjoy books that are written as light reads just as much as I enjoy deep reads. Anyway, I’ve ranted long enough. Children… is another solid entry in Frank’s own sequels to Dune, though it never reaches the heights of the original work.

Man Plus by Frederik Pohl- Grade: D+
I don’t know what to make of this book. It’s like an artifact from a time past that seems out of place despite being a relic–like finding a dinosaur fossil alongside rabbits and other modern fauna fossils. The plot follows a man who has been made partially cybernetic to withstand the stresses of living on Mars. It reads, however, like a 1950s sitcom, complete with the casual sexism that goes along with that. It’s startling at times how out of place everything seems throughout the book. I struggled to connect in any way to the characters or the plot. The only part that really got me involved at all was reading about the struggles with being human/posthuman and the potentially interesting directions that could go, but even that got subsumed into the problems I already noted. 

Shadrach in the Furnace by Robert Silverberg- Grade: B
Silverberg’s corpus is filled with novels that I absolutely adore, along with some that are… not great. Shadrach in the Furnace was a surprising read from him, because it feels quite different from many of the other popular works I’ve read from him. Don’t get me wrong–much of the Silverberg flair (and problems) is there. But there’s a kind of sense of weirdness, discovery, and wonder in this one that just has a different sense than others of his works do. Shadrach Mordecai is the doctor for the dictator of the world, Genghis Mao. The names do matter to the plot… sort of. Anyway, Shadrach discovers more and more of Mao’s plans and is horrified to find out that one of the dictator’s ideas for survival involves Shadrach’s body. There are some difficulties in this novel with race and sexism, and no small amount of sex. In other words, it’s very much a New Wave sci-fi novel. The strangeness of the setting, which is largely taken as a given, lends itself to a sense of weird disconnect with reality as reading the book. The closest thing I can think of is watching “Blade Runner” for the first time. I enjoyed it, but it has some problems. 

1977- There are some great reads this year, and what I appreciate most about it is how different each of these books felt from all the others. While they’re all science fiction with barely a hint of fantasy to be found, they show some of the breadth of the field in the best possible ways. Man Plus is obviously not a favorite of mine, but any of the others would have been a worthy winner. Where Late the Sweet Birds Sing is a very strange Hugo winner, because it doesn’t really check any of the boxes many of its contemporaries did. It’s an almost pastoral post-disaster story that grabbed me. It doesn’t have the strong pay off of some similar stories I’ve read, but it certainly does grab the imagination. My own choice, Mindbridge, was surprising to me because I hadn’t terribly enjoyed some of Haldeman’s other works. Overall, it was a good year at the Hugos.

Links

Science Fiction Hub– I have scores of reviews of Hugo nominees, Vintage Sci-Fi, modern sci-fi, TV series, and more! Check out my science fiction related writings here.

Be sure to follow me on Twitter for discussion of posts, links to other pages of interest, random talk about theology/philosophy/apologetics/movies/scifi/sports and more!

SDG.

My Read-Through of the Hugos: 1976

I’m a huge science fiction fan, and, having read a list of what are alleged to be the top 200 science fiction novels, I decided to next tackle a read-through of all the Hugo Award winners and nominees for best novel. Let me know your thoughts and favorites. I’ve marked the winner as well as my own choice for which novel would win, had I the choice among the nominees.

Inferno by Larry Niven and Jerry Pournelle- Grade: D
I thought this book was gimmicky from the start. The plot follows a science fiction author who’s been nominated for a Hugo Award multiple times without ever winning one (eg. Pournelle). The author then travels through hell basically trying to analyze things scientifically, apparently for comedic effect? I’m not sure. It just all fell quite flat for me. It read a bit like a Mary Sue character, and I wasn’t much of a fan of any aspect of the book. The parallels with Dante’s work of the same name are there, but it’s not clear if they’re to be appreciated, mocked, scorned, enjoyed, laughed at… what? I don’t know. And frankly, it didn’t make me care. Definitely my least favorite of their collaborations that I’ve read.

The Forever War by Joe Haldeman (Winner)- Grade: C-
I know. This book is an all-time classic, considered by many to be the cream of the crop, the best literary science fiction ever. I have to admit: I find basically anything related in any way to the Vietnam war depressing. It’s supposed to be. I get that. But I’ve read this book 3 times now and at no point did it draw me in. It reads like a bunch of generically unlikable characters thrown together into an unlikable place doing unlikable things. Maybe that’s the whole point; I’m supposed to get some transcendent message out of all of this painful, sloppy morass that makes me realize entirely new things about the world, myself, and my place in the world. I just didn’t. I don’t think the prose is particularly great, either. I find the whole book entirely forgettable and bland.

Doorways in the Sand by Roger Zelazny- Grade: A-
Zelazny’s wit is on full display in this romp about a lost alien artifact and a student-in-perpetuity. Fred Cassidy is staying in college because his uncle left him a wonderful stipend… so long as he remains a full time student. Whilst dodging guidance counselors determined to make him graduate and climbing around window sills, he gets embroiled in the theft of an alien artifact that is being sought by a number of parties. Hijinks ensue and don’t really let up throughout the book. Zelazny’s turn of phrase yields numerous hilarious lines throughout, even while the occasional more serious moment serves up some thoughtful pieces. It’s a delightfully fun book. 

The Computer Connection by Alfred Bester- Grade: D+
Bester is an acknowledged master of the genre, but this book didn’t stack up to the other works I’ve read from him. One major is that strongly exhibits the problematic prose of its era. Huge sections of the book are just single lines back and forth from people talking to each other without even any exposition of what they’re doing, how they reacting, etc. Character descriptions are vague and uninteresting. The whole plot is a bit of a letdown. It reads like a vessel for some ideas Bester wanted to explore rather than a novel. It never gets legs under it, and basically remains boring and bland throughout. 

The Stochastic Man by Robert Silverberg- Grade: B+
I found this a fascinating take on a time travel novel. Okay, it’s not actually a time travel novel, but as I got nearer the end I realized that I would categorize it alongside that subgenre. The story centers around Lew Nichols, who uses statistics to very effectively predict the future in broad terms. Later, he meets Martin Carvajal, who can actually see portions of the future–his own–but is quite lackadaisical about it. Nichols enlists Carvajal to help him win the Presidency for his chosen candidate, but as the two work together, questions of the unchanging nature of the future abound. Is Carvajal right in that they can’t change the future? Is Nichols ushering in a horrible future where his chosen candidate becomes a dictator? Are they, together, bringing about the future rather than predicting or seeing it? These questions are asked around a central pillar that is so subtle it might almost be missed: what would it be like to have time travel or foresight only to know that nothing can possibly be changed? It’s a question that looms large in works on time travel, but Silverberg’s spin by playing the question out in a much different way, by having a hyper-focused scale instead of expanding it out over major events in a timeline. Along with this, he addresses it in the unexpected way of having it not be true time travel involved but rather future prediction and statistical projection. This makes it a fascinating way to play ask the question, and of course Silverberg leaves readers with it as an open ended question, ready to debate on their own.
There are a few hiccups in the content, though. Silverberg’s major strengths of tight plotting and fascinating character pieces are there, but there are really only two characters that are anything more than foils for plot elements. No women are given any significant role. Nichol’s wife is used to show some sex dynamics that are very 70s (shifting marriage-like relationships for the sake of sex, so far as I can tell). There’s a definite sense of her being the “exotic” woman because she’s non-white, which smacks of some misogyny or at least being quite creepy. She’s also used to introduce a kind of pseudo religious element into the book with a play on some Eastern philosophy. I’m not sure what it would have read like during the 70s, but now it feels much more dated and possibly even colonial in its treatment of the rise of an Eastern-inspired religion. Overall, The Stochastic Man is a fascinating book that is focused almost entirely on the central questions traditionally associated with time travel. 

Links

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Links

Science Fiction Hub– I have scores of reviews of Hugo nominees, Vintage Sci-Fi, modern sci-fi, TV series, and more! Check out my science fiction related writings here.

Be sure to follow me on Twitter for discussion of posts, links to other pages of interest, random talk about theology/philosophy/apologetics/movies/scifi/sports and more!

SDG.

My Read-Through of the Hugos: 1975

I’m a huge science fiction fan, and, having read a list of what are alleged to be the top 200 science fiction novels, I decided to next tackle a read-through of all the Hugo Award winners and nominees for best novel. Let me know your thoughts and favorites. I’ve marked the winner as well as my own choice for which novel would win, had I the choice among the nominees. I’ve also dropped a short reflection on the year’s Hugo list at the end.

The Dispossessed by Ursula K. Le Guin (Winner, My Winner)- Grade: A+
Ursula K. Le Guin sketches out a remarkably detailed anarchist society, while pitting its pseudo-utopian problems alongside problems with capitalism and socialism. It’s really well done and incredibly deep. At no point does it seem like the society is merely a foil, except perhaps at times when questions of sexual relations is concerned. Even there, though, Le Guin has in-universe reasons for what is happening and ties it all into her detailed world-building. She also explores the question of how much our upbringing can cloud our thoughts regarding being self-critical and analyzing our own views. Why not the highest possible score? Because other than the main character, an intriguing scientist with a good amount of depth, every other character is exactly what you might expect. They’re created purely for the sake of the plot, but the plot is so intriguing that you don’t end up minding it as much as you probably should. So even the somewhat uneven characterization doesn’t take away from the glory of this novel. It certainly must stand as among the best science fiction novels ever written.

Flow My Tears, the Policeman Said by Philip K. Dick- Grade: C-
Can there please, please be one Philip K. Dick novel where the answer to everything is not “drugs did it”? [Yes, I know there is more than one. But come on.] I saw the “twists” in this novel coming from miles away. I saw the main reveal coming from the beginning of the book. Dick was capable of creating mind-bending plot threads, and this one was no different. Waking up going from famous to a nobody isn’t the most original idea, but Dick’s writing is capable at even the worst, and he had me hooked fairly early on. However, delving deeper and deeper into the book made me think, “Wow, I hope this doesn’t end up as another ‘The answer is drugs’ when the big reveal hits.” Well, sure enough, it is. And that basically sucked all of my enjoyment from the novel. It’s fine. I guess.

The Mote in God’s Eye by Larry Niven and Jerry Pournelle Grade: A-
The authors created a unique first-contact story that I enjoyed immensely. Plenty of twists and strangeness mixed in. It conveys a sense of the strangeness of the alien that isn’t always found in first contact books. They truly do feel ‘other’ in a way that authors don’t always manage to capture with aliens. That’s probably the greatest strength of this novel, and the one that kept me coming back. The aliens are just so much fun to figure out, and the way the humans slowly find out more about them is written such that it is rewarding to keep peeling back the layers. The central conflict surrounding how to deal with the different alien types and the revelations that come with that are intriguing. Quite well done.

Inverted World by Christopher Priest Grade: A
When I write book reviews, I try to avoid words that I think get overutilized in book blurbs or endorsements. One of those words is “engrossing.” But I have to say, Inverted World could best be described as “engrossing.” From start to finish, it is a spellbinding tale that adds complexity nearly every time you turn a page. I thought at multiple points I had figured out the twist for the novel, only to have another puzzle thrown at me that I could not explain. Ultimately, Inverted World is about how we perceive–or refuse to perceive–the world around us. Will we be like Helward, refusing to see reality even as it is shown to us? Or will we be open-minded enough to allow our perceptions to be mistaken? Or do our perceptions confine us to reality in ways we might not anticipate? Priest made me think of all these possibilities while captivating me with his world-building. If there is a flaw in the novel, it’s that almost no one besides Helward is of any interest. Even Eliabeth, introduced late in the novel, has little to offer by way of development. But this is a book that forces you to think about the world after reading it, and I tend to think those are the best kind of novel to read.

Fire Time by Poul Anderson Grade: C-
My overall impression of Poul Anderson is that he comes up with great ideas but doesn’t flesh them out or execute them as well as I’d like. Fire Time is a prime example of that. The premise has a hard sci-fi bend: a planet’s interaction with its three stars cause a “Fire Time,” which is an incredibly hot time every thousand years as the planet approaches one star in particular. Of course, tons of mythos has sprung up around this time, and adding humans into the mix of aliens causes additional avenues for conflict. The conflict itself could be an analogue for a real world conflict, as well. Somehow this promising premise gets reduced to a few vignettes of characters who aren’t terribly interesting. After the first 10% or so, it quickly becomes a tedious read that rides its premise along for the latter portions without any other reason to continue. At no point did any of the characters grab me and bring me along. I just kept hoping for more.

1975- As a follow up to a somewhat disappointing 1974, this year was fantastic. The winner, The Dispossessed, is unquestionably one of the greatest works of science fiction ever written. It stands up under multiple re-reads and continues to find depths to explore each time. The obligatory PKD and Anderson books are there, and if you’re fan of their styles, you probably will like them more than I did. PKD, in particular, is very hit or miss for me. Rounding out the year are two other fantastic reads that are radically different. Inverted World is an absolute mind-bender of a novel from the magnificent Christopher Priest, while The Mote… is a fabulous first contact novel. It’s just a great year for the Hugos with a superb collection of works.

Links

Science Fiction Hub– I have scores of reviews of Hugo nominees, Vintage Sci-Fi, modern sci-fi, TV series, and more! Check out my science fiction related writings here.

Be sure to follow me on Twitter for discussion of posts, links to other pages of interest, random talk about theology/philosophy/apologetics/movies/scifi/sports and more!

SDG.

The Hugo Award for Best Series: 2021 Reviews

Reading the nominations for the Hugo Awards for Best Series takes dedication. I have read at least the first three books of every single one of the series and given the series a grade and review based upon that reading. If I have not read the entire series, I have noted it in my review of the series. I would love to talk about these series with you, dear readers, and want to know what you think about them. Which is your favorite? Have you read them all? This year’s nominations are a pile of excellent books, so it’s worth diving in.

S. A. Chakraborty: The Daevabad Trilogy- Grade: A (The City of Brass, The Kingdom of Copper, The Empire of Gold)
There’s an allure about this whole series that stays with the reader all the way through. Chakraborty does such a fabulous job of building the world that the sights, smells, and sounds of the trilogy stick with the reader long after the books are closed. The different tribes of the Djinn make for some surprising conflicts and even protagonists and antagonists. The shifting nature of allegiance throughout the series means readers have to pay close attention even as they admire the prose and movement of the stories. It’s somewhat rare to see the final volume of a trilogy be the strongest, but I personally thought that was the case here, with The Empire of Gold providing a truly wonderful conclusion to the trilogy that had been building throughout. Chakraborty will most certainly be on my list of authors to read more

John Scalzi: The Interdependency– Grade: B+ (The Collapsing Empire, The Consuming Fire, and The Last Emperox)
Scalzi is endlessly entertaining. Every one of the books in this trilogy made me grin and even laugh out loud at times. Reading his novels can sometimes feel like reading an entertaining blog post that happens to go on for hundreds of pages. It’s not the strongest prose, but it’s captivating and always fun. All of that said, the story of this space opera felt alternatively epic and rushed. The premise is that there’s a way of travel that connects an entire empire together, and that way of travel is collapsing. The powers that be must then figure out what to do to secure their power or run into the night before the inevitable doomsday for all society. It’s a great premise, and it, along with the entertainment factor of Scalzi’s writing, carries the series on its back. The characters here aren’t as strong as some of the other works on this list, and the plot of the last book, The Last Emperox, feels extremely rushed. It’s unfortunate, because the series does have that sense of the epic at times, but as the events spiral too quickly, it loses it. Scalzi walks that fine line space operas must so often walk between being so huge they get overdone and rushing events too quickly, and he leans over to the “rushing” side with some frequency. All of that said, the series is immensely enjoyable top to bottom simply because of his writing. It also features one of my all-time favorite book dedications with The Last Emperox: “To the women who are done with other people’s shit.”

Mary Robinette Kowal: The Lady Astronaut Series- Grade: A+ (The Calculating Stars, The Fated Sky, The Relentless Moon, and several short stories)
Kowal is a master of characterization, and this series demonstrates that beyond measure. An alternate history in which an asteroid strike smashed off the east coast of the United States and forced humanity to look to the stars for hope in colonization sounds like a pitch that would play out somewhat differently than it does. The thrust of these novels is much less about the impact of this asteroid strike on civilization than it is about following a few characters caught up in the work to become (lady) astronauts and explore space for the sake of all humanity. I have not read any of the shorter stories in this series, but did read all the novels, including the first one twice. Anyway, the first book, The Calculating Stars, won the Hugo Award for best novel a few years back. It touches on issues of racism, sexism, and more, all while couching it in familiar 1950s-60s vibes and culture. Kowal did her research and historical notes at the end of each book gives some fascinating insights into the novels. The second book, The Fated Sky, gives surprising insight into the characters we grew to love (and hate) in the first book, and it has launched itself in among my favorite science fiction novels. The third novel, The Relentless Moon, is also a nominee for best novel this year, and it follows one of our lady astronauts on the home front as others are on the way to Mars in the second book. Each novel is fantastic, and the series as a whole is as well. Fans of science fiction and/or period pieces will eat this up, and the series is a clear frontrunner for best series.

Martha Wells: The Murderbot Diaries- Grade: A- (All Systems Red, Artificial Condition, Rogue Protocol, Exit Strategy, and Network Effect)
The star of this series is the titular Murderbot, a security robot whose busted its programming and sometimes fantasizes about the murder it could carry out but mostly spends its time instead on protecting those close to it and binging TV shows. It’s a solid setup that allows for Wells to bounce from one-off to one-off while developing longer character arcs here and there. The first four works are novellas, and they move with the intensity and action of their format. Network Effect is the first novel in the series, and it has gotten a Hugo nomination (and a Nebula Win) under its belt already. The hugely popular series is popular for good reason: they’re just plain fun to sit down and read. Time and pages fly past when you read these largely escapist books. Wells weaves a few hints at our own political and societal concerns into the series as well for readers looking something deeper. The series is also continuing, as Wells signed a contract for several more works in the series with Tor Books.

Seanan McGuire: The October Daye Series- Grade: A (Rosemary and Rue, A Local Habitation, An Artificial Night, and many more novels and stories)
A huge series with 15 (and counting) novels and a host of shorter works to go with it, the October Daye series follows our half-fae character, October (Toby) Daye and her adventures intersecting the realms of fairy and our own. Whether she’s solving a murder, getting involved in kidnappings, or fighting demonic fae, the series brings action and whimsy together in delightful story after delightful story. These are quick reads, but they are more robust than you might think based on that description. McGuire has a way of worldbuilding that continues to work on itself, block after block, in ways that surprise and delight. The wild thing about this is that this isn’t even my favorite series from McGuire, but her writing is just so good that I keep coming back regardless of what she’s writing. I recommend you give it a try, too, because it’s worth finding out if you, too, can have another author that you plan to read everything from at the earliest possible moment. I love it. I read the first 5 novels before writing this, and plan to read the rest forthwith.

R. F. Kuang: The Poppy War- Grade: B- (The Poppy War, The Dragon Republic, The Burning God)
Kuang’s first book, The Poppy War, contains some of the absolute most gruesome and horrific descriptions of violence I have ever read in any book, whether fiction or nonfiction. I believe that is on purpose. However, I found the extreme amount and brutal details of gory violence to genuinely eat away at my enjoyment of that novel. It was especially surprising because early on, the book feels a bit like a Young Adult novel. I am not at all critical of something being YA. I love YA. I think rejecting something just because it’s YA is the height of stupidity regarding reading habits. I’m only saying it felt YA because it read like a “hey we’re going to school to learn how to fight” story that dominates a lot of YA fantasy at times. Then, it got so supremely dark that I almost felt sick to my stomach reading it. Such extreme violent could be pointless–and it almost feels like it here–but it’s also true that Kuang seems to be emulating some real life events, whether it’s an examination of Japan’s atrocities on China’s mainland in the second World War or more modern events (like the casual violence of running someone over to ensure you don’t have to pay for disabilities after an accident). These are themes worth exploring, but the extreme nature of the violence is so intense that I found it taking away from my enjoyment of the novels. Maybe, on some higher literary plain, there’s a sense that novels aren’t for enjoyment and that they can be for instruction or activism. I don’t disagree, but I also wonder whether the level of description was necessary. Regardless, I did read the whole series and I think the central plot is good, and sometimes surprising. I admit I started to skip over whole sections of text when I discovered more violence coming, though.

Links

Science Fiction Hub– I have scores of reviews of Hugo nominees, Vintage Sci-Fi, modern sci-fi, TV series, and more! Check out my science fiction related writings here.

Be sure to follow me on Twitter for discussion of posts, links to other pages of interest, random talk about theology/philosophy/apologetics/movies/scifi/sports and more!

SDG.

Hugo Award Nominations for Long Form Dramatic Presentation 2020: “Eurovision Song Contest: The Story of Fire Saga”

For the first time ever, I’m a Hugo voter (you can be, too!). I am trying to work my way through the mass of nominations in order to feel fully informed as a voter. I have young kids and I don’t watch movies often, so I hadn’t watched any of the nominees for Best Dramatic Presentation, Long Form. So, here goes nothing! Time to watch a bunch of movies.

Eurovision Song Contest: The Story of Fire Saga, written by Will Ferrell, Andrew Steele, directed by David Dobkin (European Broadcasting Union/Netflix)

Let’s get this out of the way: I don’t like gatekeeping on fandom. I think it’s an awful waste of time and energy. So I’m not going to debate whether or not this movie counts as speculative fiction. It’s got at least one scene that seems to undeniably make it such, and it has a Hugo nomination, so here we are.

What a wild ride! Will Ferrell probably touches some people the wrong way, but I love his overly earnest, expressive characters. Here, he plays a man who has dreamed his whole life of winning Eurovision, something I have to admit I’d never even heard of before it started popping up all over my Twitter feed in May 2021. The Eurovision Song Contest is some kind of international competition for an original song. It’s also, so far as my Very Extensive Research (not very extensive and based exclusively on a couple image searches and Tweets) can tell, known for extravagant outfits and presentations.

This movie is fun, exciting, and full of great music. It’s got Dan Stevens (playing Russian singer Alexander Lemtov), who really should be lead in a lot more roles because that guy is talented. What a voice! The plot follows Lars (Ferrell), the bumbling idiot, and Sigrit (Rachel McAdams), a woman in love with the Eurovision-obsessed Lars, as they manage to get through the contest on technicalities and explosions–yes, explosions. Oh, and murder(s). As they advance, they meet other singers and realize how outclassed they are, even as their erotic tension increases. Alexander tries to lure Sigrid away, seeing her talent for what it is even as Lars sees himself as the star. The culmination of everything leads to Lars realizing that his life with Sigrit is more important than Eurovision, and they return home bigger stars than they could’ve imagined.

Can we talk about how fun the original music is for this movie? “Volcano Man” is an absolute banger. I desperately want a “full version” with a completed music video (eg. 3+ minutes). Other songs are fabulous, too, such as the innuendo laden “JaJa Ding Dong” or Dan Stevens belting out “Lion of Love.”

“Eurovision Song Contest: The Story of Fire Saga” is the first of this year’s Hugo-nominated movies I’ve watched. As it stands, it would certainly get my vote over “No Award.” It’s a fun, often hilarious movie with more heart than one might expect. I loved it, but I could see a more serious spec-fiction movie unseating it for my vote this year.

Links

Science Fiction Hub– I have scores of reviews of Hugo nominees, Vintage Sci-Fi, modern sci-fi, TV series, and more! Check out my science fiction related writings here.

My Read-Through of the Hugos– Read more posts in this series and follow me on the journey! Let me know your own thoughts on the books.

Be sure to follow me on Twitter for discussion of posts, links to other pages of interest, random talk about theology/philosophy/apologetics/movies/scifi/sports and more!

SDG.

Initial Thoughts on the 2021 Hugo Nominees

The 2021 Hugo Nominations have been announced. I’m pleased to say I was involved this time as a paying member and got to help nominate. It was a ton of fun, though I absolutely agonized over my choices for best novel. I wanted to talk about the shortlist now that it’s been announced and highlight a few things.

Best Related Work

I start here because one of the selections truly blew me away. Finding new things that I’d never have thought about before is THE reason I read through lists of any sort. Well, when the nominees were announced, I saw “The Last Bronycon: a fandom autopsy” from Jenny Nicholson, a YouTube video pop up. I know a couple bronies, and my kids love the Friendship is Magic show, so I’ve seen glimpses of it here and there. I figured, what the heck, I’ll watch this video. It’s a bit over an hour long and I was just enthralled the whole time.

First of all, Nicholson is an engaging speaker. She blended humor, personal experience in the community, and a critical eye into a genuinely wonderful piece. It would be easy to make videos mocking bronies or asking why people are how they are. Nicholson has enough firsthand experience to love the community and acknowledge its faults. It was an incisive look at how the fandom rose up around My Little Pony: Friendship is Magic and how some parts could be quite toxic while others were wonderful.

The video also made me want to watch My Little Pony much more than I have with my kids watching it in the background. I think it’s always fun to join new fandoms, though trying to navigate the unfortunate (and sometimes, it seems, inevitable) toxicity and gatekeeping makes it tough to get on board.

As a related work, though, what a great work “The Last Bronycon” was. It offered insights into the subject while also calling on viewers to experience the joy and love that Nicholson herself had/has for both the community and the content. I highly recommend you watch it. (Fair warning: some adult content, language, and discussion.)

I love this thumbnail, it’s so great!

Just another quick note, I was tickled to see the article “George R.R. Martin Can Fuck Off Into the Sun, Or: The 2020 Hugo Awards Ceremony” by Natalie Luhrs on there. The 2020 Hugo Awards ceremony was certainly an interesting thing to behold, but I only watched it intermittently. This analysis helped me see more of the problems with it. I confess I’m a huge Silverberg fan as far as much of his fiction, but the searing he got in this article may have been deserved too. Whether it was or not, I do think that articles like this that help make us aware of potential problems in fandom are helpful.

Best Novel

This is probably the category with the most buzz, and, as I said, I agonized over my own choices. There was so much fantastic speculative fiction released last year. The nominees are

  • Black Sun, Rebecca Roanhorse (Gallery / Saga Press)
  • The City We Became, N.K. Jemisin (Orbit)
  • Harrow the Ninth, Tamsyn Muir (Tordotcom)
  • Network Effect, Martha Wells (Tordotcom)
  • Piranesi, Susanna Clarke (Bloomsbury)
  • The Relentless Moon, Mary Robinette Kowal (Tor Books)

I’ve read most of these, but not Harrow the Ninth or The Relentless Moon. I did a deep dive into some Mary Robinette Kowal recently, though, reading the entire Glamourist Histories series, which was fabulous, along with some shorter fiction. I need to go back and read the whole Lady Astronaut series. As for Harrow–well, I did not enjoy Gideon much at all, but since I try to read every single Hugo nominee for best novel, I’ll be giving the series another chance. I genuinely think Harrow will win regardless. The first book had so much hype and this one seems to be getting just as much. The other four novels, which I’ve read, would each be deserving in their own way. So far, out of these (and excluding by default those I haven’t read), I’d probably pick Network Effect, but they’re all great choices.

I gotta say I was shocked that To Sleep in a Sea of Stars by Christopher Paolini wasn’t on this list. I thought it was a shoe-in for at least getting a nomination. It was one of the biggest surprises of last year’s reading for me, and I wrote about it in longer form already. I loved it. Given Paolini’s big name from the Eragon books (which I admit I didn’t like much, having only read the first), I figured he’d be on it for sure. Goes to show how much I know!

Best Video Game

I believe it’s the first year for this category, and the nominations are all over the board. A few are expected–Animal Crossing and the Final Fantasy VII remake (which I still need to play, come on PC release!), while others are surprises. Like Blaseball? I’ve never even heard of it, but apparently it’s a browser based horror baseball game? Uh, I’ll be giving that a try.

Lodestar Award for Best Young Adult Book

Raybearer by Jordan Ifueko should win this. It’s one of the best fantasy novels I’ve read in years. I loved it so much, and I encourage you to go read it as soon as possible! I keep seeing A Wizard’s Guide to Defensive Baking showing up places–I need to read it. I wrote a review of Raybearer if you’d like to check it out.

Astounding Award for Best New Author

The choices here are:

  • Lindsay Ellis (1st year of eligibility)
  • Simon Jimenez (1st year of eligibility)
  • Micaiah Johnson (1st year of eligibility)
  • A.K. Larkwood (1st year of eligibility)
  • Jenn Lyons (2nd year of eligibility)
  • Emily Tesh (2nd year of eligibility)

This is an incredibly solid list. I personally lean towards Simon Jimenez because his The Vanished Birds is a spectacular debut work. Found family, shades of “Firefly.” Check it out.

Best Fanzine

I am so pleased to see the “Unofficial Hugo Book Club Blog” ed. Amanda Wakaruk and Olav Rokne on there. I enjoy their presence on Twitter so much, as they both interact so kindly and also help highlight so many works. They’re great at signal boosting others and I just love that.

Other Categories

I’m sorry if I didn’t comment on your favorites, but I’d love to read your thoughts! Let me know what you think in the comments, please! I love talking about this stuff. I also tried to avoid commenting on anything I just hadn’t read or didn’t know enough about to comment upon. Congratulations to all the nominees!

Links

Announcing the 2021 Hugo Award Finalists– Tor dot com’s post about the finalists, a convenient place to view them all.

Science Fiction Hub– I’ve discussed past Hugo Awards extensively, and would love to chat about them and hear your own thoughts! I have several posts discussing entire years’ worth of nominees/winners for best novel as well as my own choice for a winner. Check out all my posts on science fiction (and some fantasy!) at this hub.

Be sure to follow me on Twitter for discussion of posts, links to other pages of interest, random talk about theology/philosophy/apologetics/movies/scifi/sports and more!

SDG.

My Read-Through of the Hugos: 1971

I’ve almost completed my read-through of the top science fiction books of all time and was casting about for something else to do. I decided that reading through the list of Hugo award winners and nominees wasn’t a bad way to spend my time. Here are the nominees and the winner of the 1971 Hugo Awards. I’ve marked the winner as well as my own choice for which novel would win, had I the choice among the nominees. I included a brief overview discussion of the year’s nominees at the beginning. As always, there will be SPOILERS for the books discussed.

1971- Sometimes people ask me why I enjoy reading lists so much. Being handed a bunch of choices made by someone else isn’t always the most enjoyable thing, as any high school student can tell you. The reason I like lists is because it forces me to read things I may otherwise never have encountered. 1971 is a year that proved that for me again. The Year of the Quiet Sun is an absolutely fantastic book that I’m sure I never would have read otherwise. I liked it so much that I even wrote a longer post on it in my Vintage Sci-Fi series. The other books this year are widely variant in my enjoyment of them. My third time through Ringworld made me both like and dislike aspects of it more than ever before. I may try more of the series soon. Tau Zero was… not great, yet again. I don’t know if I’ve liked almost anything by Poul Anderson. He may be outside my taste. Star Light by Hal Clement is a great example of the pitfalls of hard sci-fi. Tower of Glass is another great Silverberg novel, exploring themes that go far beyond the surface.

Ringworld by Larry Niven (Winner) Grade: C+
I’ve now read this book twice and a third time on audiobook for various lists. The audiobook helped me really focus in on certain parts of it that I’d kind of skimmed before. I think the first half or so of the book is quite strong. Niven makes compelling aliens that are different enough from humans to seem truly alien–a gift he displays in other books as well. But once all the initial drama is out of the way and the mysterious nature of Ringworld is revealed… it all seems kind of ho hum from there. The immediacy of the breakdown of civilization on Ringworld is difficult to believe and somewhat forced. The strong sense of mystery when the Ringworld is first revealed is a letdown in its payoff. And the characters don’t hold interest after a while. But the first half was such compelling reading that slogging through the incredibly uneven back half is at least partially forgiven. I’m thinking I may finally go and get the next couple to read them, just to see if we get a better payoff for the ideas Niven developed earlier in the book. So, I guess my overall thoughts are that this was a mixed bag. The hard sci-fi elements were fascinating, and I loved the ideas for various aliens. But once the plot truly got rolling, it seemed to fizzle out instead of all come together.

Tau Zero by Poul Anderson Grade: D+
It’s hard sci-fi with all the ups and downs of the subgenre. Fewer ups than downs are present. It’s a good example of the things that can go wrong with hard sci-fi. Anderson actually pauses for paragraphs at a time to explain to his readers concepts like relativity. Perhaps that was necessary or seen as stylistically acceptable when it was written, but it disrupts the flow of the novel repeatedly. Is this an intro to physics textbook or a novel? It’s hard to tell. The plot isn’t terrible interesting, either. A colonization ship runs into a problem with a nebula; science and fake science ensues to try to solve it. Much misogyny is the name of the game when it comes to character interactions. Women are vessels for sexually explicit fantasies. The book is barely readable, in my opinion, and notable perhaps only for its helping establish the subgenre as something to be pursued. Easy to pass up now, and I’ve read it twice! Curse my commitment to reading lists! But it pays off sometimes (see below, The Year of the Quiet Sun).

Tower of Glass by Robert Silverberg Grade: A
I read this book a second time as I came up on time to write this review, and I’m glad I did. I can safely say that the first time I read it, I didn’t understand it. I mean, I got the general idea of it as a kind of play on the Tower of Babel and the like, but I don’t think I got it. This time, I think I did, though, as always, the author may disagree with my reading. Anyway, the general plot is that there’s a possible alien intelligence trying to communicate with Earth from a star that doesn’t seem capable of supporting life, and the word’s richest man is building an enormous tower to try to communicate with these alleged aliens. Krug, the wealthy man, became so by creating Androids, who have since been assigned hierarchy based upon their abilities. What he doesn’t know (nor do any humans, apparently) is that the androids have made their own religion, turning Krug into a god, complete with a kind of Trinitarian theology and scripture. The androids dream of freedom, and throughout the book this is a major driving force of the plot. But when their freedom isn’t granted, the androids rebel, ultimately tearing down the tower, though some who remain loyal to Krug send him on his spaceship in cryo-sleep to see the aliens. None of these threads are tied off. Indeed, the book is full of loose threads at the end, but I didn’t mind. It forces you as a reader to sit and think about it. This is a book that I keep thinking more about every time I consider it. There’s so much going on in it, and I loved it.

The Year of the Quiet Sun by Wilson Tucker (My Winner) Grade: A
I’d not read Wilson Tucker before I dug this gem out of a pile somewhere online. It seems intensely out of print–no ebook edition (a problem I’ve run into more than once on this quest, to be fair), and many copies prohibitively expensive. Finally found an edition that collected it with a few other novels. Anyway, this book is stuffed with themes. Whether intentional or not, the way that the main character’s work and person is connected to many, many aspects of this time travel novel make it a wellspring of reflection. Brian Chaney, the main character, translated an ancient work that appears to show the book of Revelation is not, in fact, from the time of Christ but rather a few hundred years before. This side piece of information looms large on reflecting the major themes of the novel itself, but it’s done so subtly that it is easy to miss. Alongside this, Chaney is sent to a disturbingly possible future and the bleakness is so thick that the book is probably not for the faint of heart. It’s not flawless, as it has a decent helping of misogyny and the characters are rather thin. But overall, the novel is one of those I can’t stop thinking about, even weeks after finishing it. For that, it ranks among the masterworks for me. I couldn’t contain my thoughts on this fabulous book by Wilson Tucker in a single paragraph, so I wrote a lengthy reflection shortly after finishing it.

Star Light by Hal Clement Grade: C+
Hard science fiction is one of my favorite sub-genres of sci-fi. I just love having all the science piled on–whether real or fake–to dress up the plot in a veneer of lab coats and testable predictions. That’s not sarcasm–I truly do love this sub-genre. But there is a huge, common pitfall in hard sci-fi: it is easy to allow the plot to be reduced to a vehicle for the introduction of science. This is no different from the pitfall of other sub-genres, but it seems extremely common in hard sci-fi. Star Light falls headfirst into that pitfall, and perhaps does so willingly as Hal Clement delightfully waxes eloquent on various scientific concepts–both real and imaginary–throughout the novel to the extent that it became difficult, in my opinion, to focus on the characters and the plot in any meaningful way. It’s not a bad novel, and it kept me turning the pages, but it wasn’t anything fantastic. Due to the intense, constant focus on the science, there was little development of characters or even background for them. It’s fine, but not great. The edition linked includes both Star Light and Mission of Gravity. The former is superior, in my opinion.

Links

Science Fiction Hub– I have scores of reviews of Hugo nominees, Vintage Sci-Fi, modern sci-fi, TV series, and more! Check out my science fiction related writings here.

Be sure to follow me on Twitter for discussion of posts, links to other pages of interest, random talk about theology/philosophy/apologetics/movies/scifi/sports and more!

SDG.

Vintage Sci-Fi: “Dreamsnake” by Vonda N. McIntyre

Not the original cover, but the one I read and the one that will forever define the novel to me.

Vintage Sci-Fi Month is back!  As I recall, the rule for calling something “Vintage” is that it was written before you were born, but feel free to adjust that as you like. Follow Vintage Sci-Fi Month on Twitter and get in on the fun, too! There will be some SPOILERS for the book discussed here.

Dreamsnake by Vonda N. McIntyre

I read Dreamsnake as a member of the Sci-Fi and Fantasy Book Club on Goodreads. It was selected in August 2020, and I had a difficult time tracking it down. It surprised me, because it was a Hugo and Nebula Award winner, but apparently was out of print and only available in ebook format on sites that I hadn’t used before. Finally, I managed to track a copy down through an interlibrary loan right as Amazon put the book up free for subscribers on Audible! I promptly dove into the audiobook. 

I started reading Dreamsnake without any prior knowledge of the plot or even the premise. My impression of the possibilities were defined by the cover I put on this post-a woman riding a weird looking horse on the cover of a science fiction novel. Then, I began listening to the book and discovered a world eerily familiar to our own. McIntyre’s prose was lyrical at times and haunting all the way through. The book follows Snake, a woman who heals with the use of snakes and, we discover later, through medical technology. Her Dreamsnake died in a tragic turn during one of her healings, and she is trying to find a new one. The world is apparently post-apocalyptic, as we go past a nuclear crater that causes radiation poisoning, and there is a kind of mythos built up through the novel about a city where higher technology exists. Snake, as a healer, rides the line between the pastoral, subsistence-living settlements throughout the region and the apparent affluence and easy living of the city. 

What makes Dreamsnake most remarkable is its exploration of themes that are much less common in science fiction. For example, an extended scene shows Snake interacting with a young man, Gabriel, who has issues with controlling his sexual functioning. It’s not impotence–it’s that he apparently cannot control whether he is fertile or not–a skill that has been developed in the future. This leads to a rather lengthy scene discussing sexual mores as well as the young man’s difficulties. It’s a surprisingly tender scene in the middle of a science fiction novel, and all the more surprising because it discusses fertility issues  on the side of the man. I have never run into such a discussion in a science fiction novel, and certainly rarely in fiction more generally. Snake recommends that Gabriel go seek a better teacher for his biocontrol, which gives a way out that was somewhat unexpected. The poignancy of this scene and its exploration of a topic that is almost untouched in science fiction is reason enough to read the novel.

In the same town in which Gabriel resides, we encounter Melissa, a 12-year-old girl who was badly burned in a fire. She is a prodigy with horses but the man who runs the stable won’t let her out, claiming it’s due to her deformity. But in reality, he has her trapped in a prison of child labor and sexual exploitation. It’s nothing explicit, but the horror of the situation is palpable. Snake uses her position to rescue Melissa from the awful situation, which in and of itself is a great story. But McIntyre doesn’t leave it there. Snake then directs Melissa on where to go next, but Melissa has other ideas. She insists on going with Snake, and the child and adult have a genuine conversation in which they each give their reasoning for their choices. Snake agrees on Melissa’s reasoning and allows her to come with on her journey. McIntyre here shows an enormous amount of self-determination given to a child. It allows Melissa agency when before there was so little available for her. It’s such an important theme and one about which parents and adults in general ought to take note. Children have agency, and the more we allow them to exercise that–and get in reasoned discussions with adults to allow them to determine a course of action–the better adults they can grow into. 

This also ties into the broader theme of a powerfully feminist vision of the world we get from McIntyre in this novel. It’s not only Snake whom we see exercising autonomy and being a genuine person rather than a trope. No, we also see that it is a girl–a child of 12 years–who gets autonomy of her own. Science fiction so often uses children as prodigies with either near- or actual-divine power. The field is full of books featuring child geniuses or children with wisdom beyond their years. The alternative is usually children as props for the main characters. Here, though, Melissa is a child with no small amount of trauma who still gets to voice her concerns and get listened to by an adult woman, who in fact changes her mind based on what the child expresses. It’s such a powerful moment that even writing about it after the fact has me wanting to cheer. There are several women in this book across a range of ages who are each given their chance to shine. 

The city hides a secret, though, and as readers we never get to explore it much. We’re limited to the viewpoint of Snake, who is roundly turned away from the city when she tries to enter to find a new Dreamsnake. Here we discover much more about the Dreamsnake, which apparently was developed with offworld technology. We experience only hints of this offworld society. In fact, we don’t even know enough to truly call it a society. There are just people–humans or otherwise–who live offworld and apparently have higher technology that the city relies upon. But the people of the city, Snake surmises, are hugely inbred and in need of genetic diversity to survive. In the book, we never know what happens with the city, nor do we learn more about the offworlders. There is no sequel. It seems intentional, though. McIntyre is essentially putting a limit on our knowledge, tantalizing us with glimpses of this post-apocalyptic wasteland while keeping us intimately tied to Snake and, later, glimpses from Arevin, a man who is trying to find Snake. 

The perspective, hints of a broader world, and plot all make the book read powerfully. It’s got plenty of social commentary, as seen above, but it’s also just a great work of science fiction. There’s genetic engineering, discoveries of technology, scientific endeavor, and gritty adventure. Dreamsnake is a wonderful novel, and one that I’m sure to read time and again. I adored it. 

Links 

Science Fiction Hub– I have scores of reviews of Hugo nominees, Vintage Sci-Fi, modern sci-fi, TV series, and more! Check out my science fiction related writings here.

J.W. Wartick- Always Have a Reason– Check out my “main site” which talks about philosophy of religion, theology, and Christian apologetics (among other random topics). I love science fiction so that comes up integrated with theology fairly frequently as well. I’d love to have you follow there, too!

Vintage Sci-Fi– Click the link and scroll down to read more vintage sci-fi posts! I love hearing about your own responses and favorites!

My Read-Through of the Hugos– Check out all my posts on reading through the Hugo Award winners and nominees. Tons of sci-fi fantasy discussion throughout.

Be sure to follow me on Twitter for discussion of posts, links to other pages of interest, random talk about theology/philosophy/apologetics/movies/scifi/sports and more!

SDG.