My Read-Through of the Hugos: 1973

Not the original cover, but I picked it because… what is it trying to say?

I’m a huge science fiction fan, and, having read a list of what are alleged to be the top 200 science fiction novels, I decided to next tackle a read-through of all the Hugo Award winners and nominees for best novel. Let me know your thoughts and favorites. Here are the nominees and the winner of the 1973 Hugo Awards. I’ve marked the winner as well as my own choice for which novel would win, had I the choice among the nominees.

The Gods Themselves by Isaac Asimov (Winner)- Grade: B-
Another proof that Asimov is capable of at least somewhat interesting characters. The first part of the story is the most compelling, as an apparently free source of energy is revealed to have dire consequences and pretty much nobody cares. Free energy is free, right? So who cares if everyone will die billions of years in the future? It’s the exact kind of reasoning that would probably be used, to the end of us all. But that dire feeling is mostly lost at the end of the book as Asimov changes its tone into a kind of future look at human colonization of the moon and the problems that might face. Yes, there are still references to the earlier portions of the book, and the solutions offered are interesting, but it lost something of the truly bleak and all-too-reasonable feel of the beginning chapters.

When HARLIE Was One by David Gerrold- Grade: B-
Apparently this is one of the first books ever that is strictly about AI and emergent intelligence. It was fascinating in many ways, especially as the designers interacted with HARLIE and came to appreciate the difficulties of doing anything with AI. Frankly, the book may have been better if Gerrold didn’t even bother trying to put characters into it. Where it bogs down is entirely in the places where characters interact with each other, and Gerrold attempts to tie the human interactions into the AI/human interactions. Thus, the love story that is central to the characters ultimately seems nothing more than a foil for trying to explain love to HARLIE, the AI. It seems to cheapen the overall effect. Nevertheless, for a “first ever” effort in this field, this is a great, imaginative book that lays out some of the questions we’re still asking about now: like how to tell if a machine is intelligent, what that might mean, and how parameters that we set for such intelligence may be bent or broken.

There Will Be Time by Poul Anderson- Grade: D
I think I’m getting to the point where I can definitively say that Poul Anderson just isn’t my thing. He’s a highly decorated author, so, as with anything, this is just a matter of preference. For this specific book, I thought the style was pedestrian, the interlude chapter with “definitions” was so on-the-nose that you could almost see “Libertarianism is the best system ever” smacked into the back of your eyeballs while you read it. I mean, that chapter is probably what killed my interest in most of the rest of the book. It’s sardonic, not even close to witty, and so full of self-congratulatory ideas that I just couldn’t get over it. The plot drags quite a bit too, and, as with too many of these early sci-fi novels, uses rape as plot device. As far as the actual time travel ideas, Anderson did avoid some of the pitfalls of time travel, as he used it much better as a device for his characters than as a gimmick to have a historical fiction novel. However, the time travel seemed somewhat inconsistent as we’re forced to wonder whether time is immutable (or not) at points. Overall, not my jam.

The Book of Skulls by Robert Silverberg- Grade: B
I feel extremely torn about this book. It has some of Silverberg’s best (that I’ve read, anyway) atmospheric writing. He writes with whit and foreboding, sometimes together, often apart. But it is also filled with some really awful comments about women, disabilities, and more. As is often the case, it’s difficult to tell whether these last aspects are all truly representative of Silverberg’s view, or whether they are his own satirical attack on the same. If the former, I would downgrade the book significantly. If the latter, it hovers maybe a touch higher. For better or worse, The Book of Skulls is a book that is still making me think about it, weeks after reading it. It has staying power, and it wriggles its way under your skin. It’s strange, compelling, repulsive, alluring, haunting, disturbing–it needs a lot of adjectives to describe it! I’d recommend it to readers who want to dig deeply into New Wave sci-fi, warts and all.

Dying Inside by Robert Silverberg (My Winner)- Grade: A
Considered Silverberg’s masterwork by many, I initially read this book at the beginning of my attempt to appreciate older science fiction and this is definitely not the book I would recommend to try to sell someone on vintage sci-fi. It’s dense. The prose is awkward at times. It doesn’t have the bells and whistles that at lot of people tend to expect when they hear “science fiction.” My first read of this was a disaster. I didn’t catch any of its themes. I didn’t really understand it at all. Since then, I’ve grown in appreciation of older science fiction and of Silverberg in particular. On a third reading, now, I finally understood some of its core themes. In particular, that of “Dying Inside.” This is truly a haunting tale about loss that everyone experiences, set in the mind of a telepath who is losing his abilities. The main problem I had the first time reading the book is that the main character isn’t particularly likable–he’s not. But when considered in light of this central interpretation–as a kind of metaphor or allegory of loss through aging or other loss, it becomes transformed into a thing of beauty. It haunts me. Dealing with my own loss recently, it helped me reflect on that more and come to see some of the light at the end of the tunnel. I loved this book. Give it a try… or three.

A Choice of Gods by Clifford D. Simak- Grade: A-
Simak has quickly ascended to being one of my favorite sci-fi authors. His pastoral way of writing means he can introduce some truly bleak and heady themes at times without you as a reader really even noticing. In A Choice of Gods, some of his major themes make their appearance–religion, robots, and pastoral settings. Lumped into this are some kinds of questions about colonialism as well. Standing alongside these questions, one is forced to ask about cultural appropriation, at points. Simak even touches upon this concern, though it’s never explicit; only implied. It’s much headier than it seems at first, though the central mystery of the plot is kind of a let down when it is fully revealed. There are several lengthy monologues, each of which I enjoyed immensely, but it might not be for everybody. I wouldn’t recommend this as an entry point for Simak, but it’s a great read if you’re already into him.

1973

Six novels nominated for Hugo this year, and frankly 5 of the 6 I wouldn’t be mad at winning… except that Dying Inside definitely should have won, finally giving Silverberg a Hugo win (he’s been nominated 9 times with no wins for best novel, and I think at least a couple of them deserved the win). But more seriously, this is overall a great slate of nominees. Asimov is never my favorite, but The Gods Themselves has a cool premise that (as with several of his novels, in my opinion) ultimately collapses when he tries to bring it to a conclusion. When HARLIE Was One is strangely compelling in its AI, though the rest of the characters are cutouts. The Book of Skulls probably changed my perception of driving forever, and it stays with me to this day. Dying Inside is an all-time great. Simak’s entry this year, A Choice of Gods, is fascinating but has some flaws that lead many to dislike his work (lengthy monologues, somewhat inconsistent in its pastoral setting). Finally, There Will Be Time served as proof that Poul Anderson just isn’t my thing. What did you think this year?

Links

Science Fiction Hub– I have scores of reviews of Hugo nominees, Vintage Sci-Fi, modern sci-fi, TV series, and more! Check out my science fiction related writings here.

My Read-Through of the Hugos– Read more posts in this series and follow me on the journey! Let me know your own thoughts on the books.

Be sure to follow me on Twitter for discussion of posts, links to other pages of interest, random talk about theology/philosophy/apologetics/movies/scifi/sports and more!

SDG.

Initial Thoughts on the 2021 Hugo Nominees

The 2021 Hugo Nominations have been announced. I’m pleased to say I was involved this time as a paying member and got to help nominate. It was a ton of fun, though I absolutely agonized over my choices for best novel. I wanted to talk about the shortlist now that it’s been announced and highlight a few things.

Best Related Work

I start here because one of the selections truly blew me away. Finding new things that I’d never have thought about before is THE reason I read through lists of any sort. Well, when the nominees were announced, I saw “The Last Bronycon: a fandom autopsy” from Jenny Nicholson, a YouTube video pop up. I know a couple bronies, and my kids love the Friendship is Magic show, so I’ve seen glimpses of it here and there. I figured, what the heck, I’ll watch this video. It’s a bit over an hour long and I was just enthralled the whole time.

First of all, Nicholson is an engaging speaker. She blended humor, personal experience in the community, and a critical eye into a genuinely wonderful piece. It would be easy to make videos mocking bronies or asking why people are how they are. Nicholson has enough firsthand experience to love the community and acknowledge its faults. It was an incisive look at how the fandom rose up around My Little Pony: Friendship is Magic and how some parts could be quite toxic while others were wonderful.

The video also made me want to watch My Little Pony much more than I have with my kids watching it in the background. I think it’s always fun to join new fandoms, though trying to navigate the unfortunate (and sometimes, it seems, inevitable) toxicity and gatekeeping makes it tough to get on board.

As a related work, though, what a great work “The Last Bronycon” was. It offered insights into the subject while also calling on viewers to experience the joy and love that Nicholson herself had/has for both the community and the content. I highly recommend you watch it. (Fair warning: some adult content, language, and discussion.)

I love this thumbnail, it’s so great!

Just another quick note, I was tickled to see the article “George R.R. Martin Can Fuck Off Into the Sun, Or: The 2020 Hugo Awards Ceremony” by Natalie Luhrs on there. The 2020 Hugo Awards ceremony was certainly an interesting thing to behold, but I only watched it intermittently. This analysis helped me see more of the problems with it. I confess I’m a huge Silverberg fan as far as much of his fiction, but the searing he got in this article may have been deserved too. Whether it was or not, I do think that articles like this that help make us aware of potential problems in fandom are helpful.

Best Novel

This is probably the category with the most buzz, and, as I said, I agonized over my own choices. There was so much fantastic speculative fiction released last year. The nominees are

  • Black Sun, Rebecca Roanhorse (Gallery / Saga Press)
  • The City We Became, N.K. Jemisin (Orbit)
  • Harrow the Ninth, Tamsyn Muir (Tordotcom)
  • Network Effect, Martha Wells (Tordotcom)
  • Piranesi, Susanna Clarke (Bloomsbury)
  • The Relentless Moon, Mary Robinette Kowal (Tor Books)

I’ve read most of these, but not Harrow the Ninth or The Relentless Moon. I did a deep dive into some Mary Robinette Kowal recently, though, reading the entire Glamourist Histories series, which was fabulous, along with some shorter fiction. I need to go back and read the whole Lady Astronaut series. As for Harrow–well, I did not enjoy Gideon much at all, but since I try to read every single Hugo nominee for best novel, I’ll be giving the series another chance. I genuinely think Harrow will win regardless. The first book had so much hype and this one seems to be getting just as much. The other four novels, which I’ve read, would each be deserving in their own way. So far, out of these (and excluding by default those I haven’t read), I’d probably pick Network Effect, but they’re all great choices.

I gotta say I was shocked that To Sleep in a Sea of Stars by Christopher Paolini wasn’t on this list. I thought it was a shoe-in for at least getting a nomination. It was one of the biggest surprises of last year’s reading for me, and I wrote about it in longer form already. I loved it. Given Paolini’s big name from the Eragon books (which I admit I didn’t like much, having only read the first), I figured he’d be on it for sure. Goes to show how much I know!

Best Video Game

I believe it’s the first year for this category, and the nominations are all over the board. A few are expected–Animal Crossing and the Final Fantasy VII remake (which I still need to play, come on PC release!), while others are surprises. Like Blaseball? I’ve never even heard of it, but apparently it’s a browser based horror baseball game? Uh, I’ll be giving that a try.

Lodestar Award for Best Young Adult Book

Raybearer by Jordan Ifueko should win this. It’s one of the best fantasy novels I’ve read in years. I loved it so much, and I encourage you to go read it as soon as possible! I keep seeing A Wizard’s Guide to Defensive Baking showing up places–I need to read it. I wrote a review of Raybearer if you’d like to check it out.

Astounding Award for Best New Author

The choices here are:

  • Lindsay Ellis (1st year of eligibility)
  • Simon Jimenez (1st year of eligibility)
  • Micaiah Johnson (1st year of eligibility)
  • A.K. Larkwood (1st year of eligibility)
  • Jenn Lyons (2nd year of eligibility)
  • Emily Tesh (2nd year of eligibility)

This is an incredibly solid list. I personally lean towards Simon Jimenez because his The Vanished Birds is a spectacular debut work. Found family, shades of “Firefly.” Check it out.

Best Fanzine

I am so pleased to see the “Unofficial Hugo Book Club Blog” ed. Amanda Wakaruk and Olav Rokne on there. I enjoy their presence on Twitter so much, as they both interact so kindly and also help highlight so many works. They’re great at signal boosting others and I just love that.

Other Categories

I’m sorry if I didn’t comment on your favorites, but I’d love to read your thoughts! Let me know what you think in the comments, please! I love talking about this stuff. I also tried to avoid commenting on anything I just hadn’t read or didn’t know enough about to comment upon. Congratulations to all the nominees!

Links

Announcing the 2021 Hugo Award Finalists– Tor dot com’s post about the finalists, a convenient place to view them all.

Science Fiction Hub– I’ve discussed past Hugo Awards extensively, and would love to chat about them and hear your own thoughts! I have several posts discussing entire years’ worth of nominees/winners for best novel as well as my own choice for a winner. Check out all my posts on science fiction (and some fantasy!) at this hub.

Be sure to follow me on Twitter for discussion of posts, links to other pages of interest, random talk about theology/philosophy/apologetics/movies/scifi/sports and more!

SDG.

My Read-Through of the Hugos: 1972

I’m a huge science fiction fan, and, having read a list of what are alleged to be the top 200 science fiction novels, I decided to next tackle a read-through of all the Hugo Award winners and nominees for best novel. Let me know your thoughts and favorites. Here are the nominees and the winner of the 1972 Hugo Awards. I’ve marked the winner as well as my own choice for which novel would win, had I the choice among the nominees.

1972

This year featured one of the more diverse arrays of styles so far in the Hugo reading list. There are two science fantasy novels (Dragonflight and Jack of Shadows), two women authors and incidentally the first time more than one woman author made the list (Anne McAffrey and Ursula K. Le Guin), some radically different New Wave sci-fi (A Time of Changes and To Your Scattered Bodies Go), pseudo time travel (Scattered Bodies…), and a hauntingly thoughtful–if flawed–look at the human psyche (The Lathe of Heaven). The science fantasy books are quite different as well. Anyway, I was deeply disappointed by To Your Scattered Bodies Go. It should have been so much better, but the author didn’t change tone no matter which of the incredible caste of characters he introduced. On the flip side, A Time of Changes is the book that got me to appreciate Silverberg. I have rarely been so moved as I was by that book, and listening to the excellent audiobook is what sold me on it. It’s strange and even uncomfortable at times, but it’s great. Dragonquest looks on the surface like an easy read but has incredible depth. Lathe and Jack were each fine novels, but not as intriguing as some of their authors’ other works.

Dragonquest by Anne McCaffrey- Grade: A-
The quiet nature of these books by McCaffrey belies the epic scale of her world and the place she built in Pern. Dragonquest is a science fantasy novel of the best kind. There are dragons, hints of ancient secrets, dire threats, and human striving of the best kind. What makes the novel especially poignant is that the “villain” here is not really a person but a kind of natural threat. In a world with raging pandemics and climate change, the “natural” kind of evil in this novel is especially haunting. The dizzying heights of dragon flight and characterization help offset what would otherwise be a fairly bleak story. McCaffrey’s worldbuilding is especially dense, though in the first book, Dragonflight, it’s even more dense. I expected these books to be fairly breezy reading, but they’re in fact phenomenally deep explorations of a well thought out world that McCaffrey has created. Don’t get me wrong, there’s plenty to like about the characters and plot here, too, but the real star is the world she’s created. Readers who enjoy science fantasy should consider these must-reads.

To Your Scattered Bodies Go by Philip Jose Farmer (Winner)- Grade: C-
Farmer had all of humanity to choose from for his characters, and he chose some truly awesome figures. The problem is that he never gave any one character the time or space to develop properly and show the unique personality of each. The characters should surely speak in radically different voices, have conflicting concerns, and even see the world in quite diverse ways. But instead, each character was a fairly standard science fiction trope with a historical figure’s name slapped onto him or her. Their voices all sounded the same to me on almost every page. The book came very highly recommended from a number of sources. I’m pretty disappointed, to be honest.

The Lathe of Heaven by Ursula K. Le Guin Grade: B-
I thought the premise–a man whose dreams become reality–was a bit tacky, but Le Guin is a master of prose and makes it work as a compelling piece about humanity. Really, that seems to be what all I’ve read from her is about, at its core: human nature. What does it mean to be human? What kind of fears would guide us if we had such a power? Who might try to harness it and why? These are intriguing questions that are just lightly touched throughout the book. The characters, unfortunately, end up largely being stand-ins for various philosophies or ways to explore different ideas. Unlike some of Le Guin’s other works, I never felt connected in any way to the characters. They read more like caricatures than characters. That said, it’s a thoughtful work that I enjoyed greatly.

Jack of Shadows by Roger Zelazny Grade: C+
After reading this book, I looked it up online and discovered it was written in one draft. I’m impressed, but also somewhat dismayed, because it seems the book could have been much improved with some thorough edits and rewrites. The concepts are there for a truly excellent novel, but it’s hampered by a kind of meandering at points that means I as a reader struggled to follow along with the events. Zelazny’s talent is on display here in glimpses, but it only presents itself in fragments. The Jack of Shadows has power in the shadows, unlike many of the magic users of his world whose power relies on the light or darkness on their side of the planet. It makes for a cool idea, but doesn’t go much beyond a few lines of dialogue and some action scenes. I don’t know what it is about the book, I guess I just wanted more from it.

A Time of Changes by Robert Silverberg- Grade: A
I admit part of my score here is likely due to the simply phenomenal reading by Tom Parker. I listened to it from my library and was simply blown away by the quality of this narration. Parker lends the novel a kind of alien/familiar feel that reflects the dichotomies found therein. Yet even if my score is slanted because of that, there’s no denying this is a pretty excellent read. Silverberg here creates a society that sees the revealing of the self as a great crime. Only among certain relationships is it permitted to even begin to reveal oneself to others. The use of words like “I” or “me” is considered horribly obscene. Inside this society, there are priests called “Drainers” who basically act as places people can confess their wrongs and “drain” their souls of them. The multifaceted nature of this is juxtaposed with Silverberg’s central drama, the autobiographical journey of the main character as he discovers the joys of self-revealing, in part due to the use of a drug from a society most people on his planet view as barbarians. Throughout the whole book there are a number of dichotomies. Alien/familiar is the most obvious, as the people of this society are humans but act so inhumanly by denying the self; civil/uncivil is another; pious/pagan another; and the list could go on. It’s a masterfully crafted, thought-provoking science fiction novel that manages to make a rather well-worn Nu Wave sci-fi trope (drug use) into something eloquent and fresh rather than tired and dated.

Links

My Read-Through of the Hugos– Read more posts in this series and follow me on the journey! Let me know your own thoughts on the books.

Be sure to follow me on Twitter for discussion of posts, links to other pages of interest, random talk about theology/philosophy/apologetics/movies/scifi/sports and more!

SDG.

Vintage Sci-Fi: “Dreamsnake” by Vonda N. McIntyre

Not the original cover, but the one I read and the one that will forever define the novel to me.

Vintage Sci-Fi Month is back!  As I recall, the rule for calling something “Vintage” is that it was written before you were born, but feel free to adjust that as you like. Follow Vintage Sci-Fi Month on Twitter and get in on the fun, too! There will be some SPOILERS for the book discussed here.

Dreamsnake by Vonda N. McIntyre

I read Dreamsnake as a member of the Sci-Fi and Fantasy Book Club on Goodreads. It was selected in August 2020, and I had a difficult time tracking it down. It surprised me, because it was a Hugo and Nebula Award winner, but apparently was out of print and only available in ebook format on sites that I hadn’t used before. Finally, I managed to track a copy down through an interlibrary loan right as Amazon put the book up free for subscribers on Audible! I promptly dove into the audiobook. 

I started reading Dreamsnake without any prior knowledge of the plot or even the premise. My impression of the possibilities were defined by the cover I put on this post-a woman riding a weird looking horse on the cover of a science fiction novel. Then, I began listening to the book and discovered a world eerily familiar to our own. McIntyre’s prose was lyrical at times and haunting all the way through. The book follows Snake, a woman who heals with the use of snakes and, we discover later, through medical technology. Her Dreamsnake died in a tragic turn during one of her healings, and she is trying to find a new one. The world is apparently post-apocalyptic, as we go past a nuclear crater that causes radiation poisoning, and there is a kind of mythos built up through the novel about a city where higher technology exists. Snake, as a healer, rides the line between the pastoral, subsistence-living settlements throughout the region and the apparent affluence and easy living of the city. 

What makes Dreamsnake most remarkable is its exploration of themes that are much less common in science fiction. For example, an extended scene shows Snake interacting with a young man, Gabriel, who has issues with controlling his sexual functioning. It’s not impotence–it’s that he apparently cannot control whether he is fertile or not–a skill that has been developed in the future. This leads to a rather lengthy scene discussing sexual mores as well as the young man’s difficulties. It’s a surprisingly tender scene in the middle of a science fiction novel, and all the more surprising because it discusses fertility issues  on the side of the man. I have never run into such a discussion in a science fiction novel, and certainly rarely in fiction more generally. Snake recommends that Gabriel go seek a better teacher for his biocontrol, which gives a way out that was somewhat unexpected. The poignancy of this scene and its exploration of a topic that is almost untouched in science fiction is reason enough to read the novel.

In the same town in which Gabriel resides, we encounter Melissa, a 12-year-old girl who was badly burned in a fire. She is a prodigy with horses but the man who runs the stable won’t let her out, claiming it’s due to her deformity. But in reality, he has her trapped in a prison of child labor and sexual exploitation. It’s nothing explicit, but the horror of the situation is palpable. Snake uses her position to rescue Melissa from the awful situation, which in and of itself is a great story. But McIntyre doesn’t leave it there. Snake then directs Melissa on where to go next, but Melissa has other ideas. She insists on going with Snake, and the child and adult have a genuine conversation in which they each give their reasoning for their choices. Snake agrees on Melissa’s reasoning and allows her to come with on her journey. McIntyre here shows an enormous amount of self-determination given to a child. It allows Melissa agency when before there was so little available for her. It’s such an important theme and one about which parents and adults in general ought to take note. Children have agency, and the more we allow them to exercise that–and get in reasoned discussions with adults to allow them to determine a course of action–the better adults they can grow into. 

This also ties into the broader theme of a powerfully feminist vision of the world we get from McIntyre in this novel. It’s not only Snake whom we see exercising autonomy and being a genuine person rather than a trope. No, we also see that it is a girl–a child of 12 years–who gets autonomy of her own. Science fiction so often uses children as prodigies with either near- or actual-divine power. The field is full of books featuring child geniuses or children with wisdom beyond their years. The alternative is usually children as props for the main characters. Here, though, Melissa is a child with no small amount of trauma who still gets to voice her concerns and get listened to by an adult woman, who in fact changes her mind based on what the child expresses. It’s such a powerful moment that even writing about it after the fact has me wanting to cheer. There are several women in this book across a range of ages who are each given their chance to shine. 

The city hides a secret, though, and as readers we never get to explore it much. We’re limited to the viewpoint of Snake, who is roundly turned away from the city when she tries to enter to find a new Dreamsnake. Here we discover much more about the Dreamsnake, which apparently was developed with offworld technology. We experience only hints of this offworld society. In fact, we don’t even know enough to truly call it a society. There are just people–humans or otherwise–who live offworld and apparently have higher technology that the city relies upon. But the people of the city, Snake surmises, are hugely inbred and in need of genetic diversity to survive. In the book, we never know what happens with the city, nor do we learn more about the offworlders. There is no sequel. It seems intentional, though. McIntyre is essentially putting a limit on our knowledge, tantalizing us with glimpses of this post-apocalyptic wasteland while keeping us intimately tied to Snake and, later, glimpses from Arevin, a man who is trying to find Snake. 

The perspective, hints of a broader world, and plot all make the book read powerfully. It’s got plenty of social commentary, as seen above, but it’s also just a great work of science fiction. There’s genetic engineering, discoveries of technology, scientific endeavor, and gritty adventure. Dreamsnake is a wonderful novel, and one that I’m sure to read time and again. I adored it. 

Links 

Science Fiction Hub– I have scores of reviews of Hugo nominees, Vintage Sci-Fi, modern sci-fi, TV series, and more! Check out my science fiction related writings here.

J.W. Wartick- Always Have a Reason– Check out my “main site” which talks about philosophy of religion, theology, and Christian apologetics (among other random topics). I love science fiction so that comes up integrated with theology fairly frequently as well. I’d love to have you follow there, too!

Vintage Sci-Fi– Click the link and scroll down to read more vintage sci-fi posts! I love hearing about your own responses and favorites!

My Read-Through of the Hugos– Check out all my posts on reading through the Hugo Award winners and nominees. Tons of sci-fi fantasy discussion throughout.

Be sure to follow me on Twitter for discussion of posts, links to other pages of interest, random talk about theology/philosophy/apologetics/movies/scifi/sports and more!

SDG.

My Read-Through of the Hugos: 1970

I’m a huge science fiction fan, and, having read a list of what are alleged to be the top 200 science fiction novels, I decided to next tackle a read-through of all the Hugo Award winners and nominees for best novel. Let me know your thoughts and favorites. Here are the nominees and the winner of the 1970 Hugo Awards. I’ve marked the winner as well as my own choice for which novel would win, had I the choice among the nominees. I put a small overview of this year’s nominees at the beginning.

1970- A new decade ushers in one of my least favorite batches of Hugo nominees so far. Let’s get the good out of the way: Ursula K. LeGuin’s The Left Hand of Darkness is fantastic. There hasn’t been a single book I’ve read from her that I’ve disliked, and this one is a renowned classic for good reason.

I didn’t like anything else this year. Macroscope was a fine offering, but it jumps around too much to ever establish itself and its world. I enjoy quite a bit of Silverberg, but Up the Line both annoyed me for not being great at time travel and was extremely gross/creepy at points. Bug Jack Barron, which I’ve read was an attempt to satirize racism and show its absurdity, but it came off as over the top even for that. It doesn’t help that there’s a good amount of sexism–intentional or not–throughout the book. I didn’t like it at all.

Vonnegut lovers won’t like me for this one: sorry. I just can’t stand Vonnegut. I kind of get where he’s coming from, I guess, but everything I’ve read from him (which is a lot, unfortunately) is something I’ve hated. I first read Slaughterhouse-Five in high school, which probably didn’t help. I thought it read like it was written by a dude who was even less mature than my 18-year-old self. And, re-reading it as an adult for this and another list, I can’t shake that perception. Some say that Vonnegut’s humor is so clever/dark/witty but I can’t read it as anything but infantile and going for cheap thrills. I will not read this one again unless I’m forced to.

Up the Line by Robert Silverberg- Grade: D-
I have enjoyed my share of Silverberg. In fact, I would rank a few of his books among my favorites. I quite enjoyed the cover of Up the Line I saw in the Kindle store. But wow I did not like the contents here. I like the idea of time travel fiction, and would rank the episodes of Star Trek having to do with time travel consistently among my favorites. But it seems like it must be extremely tricky to nail in the form of a novel. I’ve written before about the main difficulties I perceive in the sub-genre (Time Travel in Science Fiction). Up the Line falls victim to the problem I pointed out in that earlier post: ‘Too often in time travel books, the characters in the future or past are little more than vehicles for showing how strange or different that time period/place is.’ Yep, here the characters in the past are little more than objects of sexual desire/use by the main character, whose abhorrent acts have little to ingratiate him to the reader. Add in heaping helping of incestuous fantasy and you have a nearly Heinlein-ian level of creep factor happening here. I didn’t find anything to redeem the book, except that Silverberg is capable of weaving clever lines even in a book as gross as this one.

Bug Jack Barron by Norman Spinrad- Grade: D-
Full of vile racism, which it was intended (apparently) to satirize, this novel is a really tough read. It is drenched in 60s/70s thought and expression, to the point that it is difficult to read it now without having had personal experience in those times. There are seeds of excellence here, whether it is the idea of warring reality shows as politics or the various cyberpunk themes. But add those to random sexism and a huge influx of hippy culture and it just isn’t a novel that was for me. It’s got a catchy title, some interesting ideas, and heaps of things that are annoying or gross. Take it as you will.

The Left Hand of Darkness by Ursula K. Le Guin (Winner, My Winner)- Grade: A
Le Guin created a world that feels strangely familiar, while remaining radically different. It makes you think about life and the struggles we face. The overarching plot wasn’t terribly strong, but the character-driven nature of it made that not matter very much. I was surprised, honestly, by how intimate the book was. It was to the point where it almost felt claustrophobic at points, but this reads as definitely intentional. One feels like an individual embroiled in the drama, set against the planet, set against others, ready to rise up. It’s an extremely personal novel. I enjoyed it quite a bit.

Slaughterhouse-Five by Kurt Vonnegut- Grade: F
I read this one in high school and hated it. I figured I should re-read it since I didn’t remember it at all, and–let’s be honest–I was a bit a of an idiot in high school. That re-read was a severe mistake. Vonnegut’s humor is barely 4th grade level, including lines that I think are supposed to be funny like ‘The old man was in agony because of gas. He farted tremendously, and then he belched.’ Yes, this is apparently a classic. The plot is also completely incoherent, effectively set up so that the author could draw an amateurish picture of a necklace dangling between a woman’s breasts. How mature. Slaughterhouse Five is among the worst books I’ve ever read.

Macroscope by Piers Anthony- Grade: C-
Several books on this list are written in the ‘kaleidoscopic’ fashion, and this is one of them. At times, it works. At others, it doesn’t. Macroscope, for me, fell into the latter camp, though it didn’t completely fail. The problem is with so many viewpoints and things going on, there has to be a strong central narrative or character or problem, and though the book seems to have an easy candidate, the promise never materializes. I was hoping for much more from this book, so part of my grade may just be disappointment with that aspect. Also, the idea of a tool that could drive people insane simply because of its complexity/usefulness/etc. is neat.

Links

My Read-Through of the Hugos– Read more posts in this series and follow me on the journey! Let me know your own thoughts on the books.

Be sure to follow me on Twitter for discussion of posts, links to other pages of interest, random talk about theology/philosophy/apologetics/movies/scifi/sports and more!

SDG.

My Read-Through of the Hugos: 1967

I’ve almost completed my read-through of the top science fiction books of all time and was casting about for something else to do. I decided that reading through the list of Hugo award winners and nominees wasn’t a bad way to spend my time. Here are the nominees and the winner of the 1967 Hugo Awards. I’ve marked the winner as well as my own choice for which novel would win, had I the choice among the nominees. I included a brief overview discussion of the year’s nominees at the beginning.

1967- I think this year’s nominees were one of the best so far. Whether we’re talking about the absolutely heart-rending Flowers for Algernon or the familiar-yet-otherworldly Day of the Minotaur, this was a great year. Even The Witches of Karres at least has value as understanding where later ideas developed from. Babel-17 made me realize I should go back and re-read some Delany novels, perhaps finding more enjoyment the second go-round. I liked Babel so much that I’m convinced I may have missed something. Somehow Heinlein gets another year of eligibility for The Moon… and wins? I don’t understand. It’s a fine novel, but I don’t think it needed to be brought in to compete with the others this year, and certainly some of the competition was better. Which did you like?

Babel-17 by Samuel R. Delany- Grade: A
Babel-17 is through-and-through a concept novel. I don’t know if that’s a real term, but its how I refer to books that have an idea that they’re about more than characters or a main plot. To be fair, Delany makes some interesting characters in this book, but they’re not what it’s about. What it’s about is language and how it may shape the way we think and act. Indeed, if we have no word for something like a computer or any of its components, how could we even begin to understand it? More abstractly, what if something like “nationalism” was an unknown term or concept? How would we relate to others and the space in which we live? These are some of the types of questions Delany asks in this fascinating piece of science fiction. I liked it enough I may actually go back for another try at his alleged magnum opus, Dhalgren, which I initially abandoned fairly early on. This is first rate idea-driven sci-fi.

Day of the Minotaur by Thomas Burnett Swann- Grade: B
Impressive for its prose, especially for its time, this novel is one of the earliest attempts (I read a few places it might be the earliest) to re-tell Greek myth for the modern audience. The downside to the novel is found in the times when a few anachronisms from the time in which it was written sneak in–yes, there are a few clear “flower child” type scenes, as well as a few cringe-worthy comments about women. On the flip side, it seems Thomas Burnett Swann was trying to subvert some of the latter through the narrative, which has women acting independently and with authority at times. Day of the Minotaur is also nearly lyrical in its prose, something that was not often attempted, to my knowledge, at the time. It’s a quick read that’s worth looking into for readers interested in mythical re-tellings.

Flowers for Algernon by Daniel Keyes (My Winner)- Grade: A
Heart-rending and poignant, Keyes has created an enduring masterpiece. Yes, some aspects of it haven’t aged well (such as outdated psychological theories), but it’s the kind of science fiction that could be set in the past as something that has happened, so that doesn’t matter. It’s got one of the best aspects of science fiction storytelling, namely that it asks us to look at ourselves as humans and see what we are more fully. I readily admit I did not think I’d enjoy this one going in. It had all the makings of one of those books that is more literary than it is plot, but it is not that at all. I wept bitterly at more than one point in this haunting work. It’s a beautiful book.

The Moon is a Harsh Mistress by Robert A. Heinlein (Winner)- Grade: B-
I wanted to enjoy this book more than I did. It was enjoyable, but the style dragged it down somewhat. It felt very matter-of-fact about even the most intense moments of the book. It’s not as beautiful as Stranger in a Strange Land nor as challenging as Starship Troopers. It’s still enjoyable, but the whole plot felt predictable. It lacked the excitement that comes with many other science fiction books. Not bad, certainly, but neither is it spectacular. Also, apparently it was eligible both in 1966 and in 1967?

The Witches of Karres by James M. Schmitz- Grade: C
How do you fairly evaluate a novel that seems like a possible precursor for many other ideas? The Witches of Karres has many of the elements later space operas would absorb, and the breadth of some of it is surprising. But it’s also… not very good. The ideas are there, but the execution is not. It reads about like what you would expect from an antiquated sci-fi adventure trying to grow beyond the bonds of the usual simplistic narrative. It’s admirable that the concept was developed here, but reading it for reasons other than history is not highly recommended.

Links

J.W. Wartick- Always Have a Reason– Check out my “main site” which talks about philosophy of religion, theology, and Christian apologetics (among other random topics). I love science fiction so that comes up integrated with theology fairly frequently as well. I’d love to have you follow there, too!

My Read-Through of the Hugos– Read more posts in this series and follow me on the journey! Let me know your own thoughts on the books.

Be sure to follow me on Twitter for discussion of posts, links to other pages of interest, random talk about theology/philosophy/apologetics/movies/scifi/sports and more!

SDG.

My Read-Through of the Hugos: 1966

I’m a huge science fiction fan, and, having read a list of what are alleged to be the top 200 science fiction novels, I decided to next tackle a read-through of all the Hugo Award winners and nominees for best novel. Let me know your thoughts and favorites. Here are the nominees and the winner of the 1966 Hugo Awards. I’ve marked the winner as well as my own choice for which novel would win, had I the choice among the nominees. I have a short reflection on this year’s Hugo nominees at the beginning.

1966 Hugos– Overall, this was a great year for the nominees. Dune is basically on its second go-round of eligibility the first half having been eligible in 1964. Some voters may have been upset by that (I don’t know), but the novel itself is nearly incomparable. This Immortal is competent, but I don’t think it deserves to be in the same conversation as Dune. It’s fine. The Squares of the City was a novel I discovered many years ago, and it stands up to a re-read in sometimes surprising ways. I even wrote more extensively on it. Heinlein is hugely hit or miss for me, and The Moon… is more of a hit, but even there Heinlein can’t seem to avoid lecturing his readers on his preferred systems. E.E. “Doc” Smith is one of the progenitors of much sci-fi I enjoy, but Skylark DuQuesne, and, indeed, the whole series, barely holds up as readable. The sub-genres represented here aren’t very diverse, but the selection is good nonetheless. Which are your favorites?

Dune by Frank Herbert (Co-Winner, My Winner)- Grade: A+
Certainly one of the best novels ever written, Dune’s depth is astonishing. The characters are captivating, and the reader is put directly into their minds frequently. The book’s message is also thought-provoking on many levels–theological, scientific, ecological, and more. Herbert’s motivation to try to subvert the hero narrative makes this even more fascinating than it is otherwise, with its mashup of so many themes. There are questions that remain, though–did Herbert succeed in making an anti-hero hero? Or is Paul Atreides really some kind of true hero? To me, at least, the ending is ambiguous in this regard, even though many fans of the book remain convinced it is phenomenally successful in doing so.

This Immortal AKA And Call Me Conrad by Roger Zelazny (Co-Winner)- Grade: B-
There is little by way of character development or, really, plot here. But Zelazny is such a talent with words that I didn’t mind as much as I would have otherwise. Not as stylistically elegant as some of his other works, This Immortal nevertheless remains almost lyrical in the way it conveys its story. I can also see where many ideas for later science fiction came from, though maybe not directly. What exactly is the core premise of the novel? Is it a push to question one’s own assumptions about reality? Does it go that deep? Is it really just a kind of dressed up old-school sci-fi adventure? It is difficult to tell, in the end. The novel doesn’t reach the stunning heights of Zelazny’s Lord of Light, but you can see his immense talent here nonetheless.

The Squares of the City by John Brunner- Grade: A
I read this book as a young teenager and was blown away. On a re-read sometime later (extended discussion here), I am convinced that I didn’t grasp some of the bigger concepts happening in the novel. Nevertheless, I still loved it in a different way. The book’s main plot is based upon a real-life chess game in which the characters are moved like the pieces from that game that actually took place. That’s cool, but a bit gimmicky. Then, it turns out chess is a major theme in the book, but that the notion of black/white and racial inequality also threads throughout. The main character is a traffic planner brought in to deal with some issues in a fictional South American city in the future. Societal strife, racial tension, and more lurk under the surface and the main character and a rather large supporting cast must come to grips with it. It ends ambiguously and maybe pushes its theme a bit too hard, but it’s superbly written and deeply thoughtful. I love it.

The Moon is a Harsh Mistress by Robert A. Heinlein- Grade: B-
The book was serialized for two years and was eligible this year and next year. What? Anyway, I wanted to enjoy this book more than I did. It was enjoyable, but the style dragged it down somewhat. It felt very matter-of-fact about even the most intense moments of the book. It’s not as beautifully odd as Stranger in a Strange Land nor as challenging as Starship Troopers. It’s still enjoyable, but the whole plot felt predictable. It lacked the excitement that comes with many other science fiction books. Not bad, certainly, but neither is it spectacular.”

Skylark DuQuesne by E.E. “Doc” Smith- Grade: D
E.E. “Doc” Smith is a major voice in early science fiction, and at the time some put him on par or better than Asimov. His Lensman series was edged by the Foundation Trilogy to be named the best science fiction series ever. I enjoyed the Lensman series pretty well, but this Skylark series has not aged well at all. I read all four books including this one in the series so that I wouldn’t be confused about what was going on, but I’m not sure I really needed to. Skylark DuQuesne is full of space adventure spirit, but also full of ridiculous treatment of women, paper-thin characters, aliens with little to motivate them, and an Ameri-centrism that defeats the notion of the scale the novel needs to make it epic. It’s definitely a pulpy read, but not in a good way.

Links

My Read-Through of the Hugos– Read more posts in this series and follow me on the journey! Let me know your own thoughts on the books.

Be sure to follow me on Twitter for discussion of posts, links to other pages of interest, random talk about theology/philosophy/apologetics/movies/scifi/sports and more!

SDG.

2020 Hugo Award for Best Novel: My Reviews

I read as much sci-fi/fantasy as I can get my hands on, and have been working through the backlog of all the Hugo winners and nominees for best novel for some time. The 2020 Nominations were announced recently, and I wanted to read them all so I could review them and talk about/debate them with fellow fans. Without further adieu, here are my reviews!

[Edit: The Hugo Award for Best Novel went to “A memory Called Empire,” which is a truly deserving novel that I also loved. 2020 was a great mix of works showing a wide variety of speculative fiction. Let me know what you thought of this year’s nominees!]

The City in the Middle of the Night by Charlie Jane Anders- Grade: C
There are some cool ideas here, and a strong inspiration from classics like 1984 (the government determining times, for example). However, I felt the whole thing was hampered by a lack of enthusiasm from the main characters which led to me not caring very much about the stakes. Moreover, the strangeness of motivation behind some of their acts throttled my suspension of disbelief. Perhaps there are some metaphors or analogies happening here that simply went over my head. I’d love for someone to explain if I did miss some things of import here. Anyway, the whole thing ended up feeling kind of surreal in an off-putting rather than enthralling way. 

A Memory Called Empire by Arkady Martine (Winner)- Grade: A-
I attempted to read this book four times. I say attempted because each time I got sidetracked by something else. It’s dense, and my life circumstances were such that I couldn’t concentrate on it as deeply as I’d have liked to. Finally, it went on a great sale and I grabbed the audiobook along with the ebook. Listening to the book was a great experience, and let me concentrate on it better than reading it on paper. The bottom line for A Memory Called Empire is this: How well do you like complexity in your sci-fi?
A) The more Machiavellian, the better! I want names that I have to write down to keep track of! I want political intrigue I need to chart to follow! 
B) I enjoy complexity quite a bit, but don’t want to inflict pain on myself for trying to follow a story.
C) Complexity is fine, as long as it is spoon-fed to me.
D) I admire the handiwork, but I don’t like it.
Whichever option you chose is basically what I anticipate your grade for this book being. There are names that are nothing like you’d expect. There’s mystery throughout. There are political maneuvers, thrusts, and counter-thrusts. It’s all there. This book is like a combination of the Ancillary series by Ann Leckie with some Iain M. Banks in it. The book has a phenomenal payoff for the investment of energy, as well. The last 40% or so of the book has all the political machinations that you could desire to go along with the central mystery. I love it, but I also had to work to love it. I can’t wait to see what the next in the series does to me.

Gideon the Ninth by Tasmyn Muir- Grade: D+
I don’t know that I’ve experienced as much hype surrounding a book as this one before I’ve read it. I also try to avoid being one of “those people.” You know who I’m talking about: the type of people who talk all loud and proud about how “I read that super hyped thing everyone loves and found it was just mediocre at best.” So instead, I’ll try to focus on real, substantive critique rather than posturing. First, I do not like pop culture references in my sci-fi/fantasy. Veiled references? Sure. If they make sense for the story? Absolutely. But straight up pop-culture references in a novel that doesn’t have a very good explanation for how they come into play for the main character? Hard no. Second, the novel ends up reading exactly like it sounds in the blurb: it’s a sci-fi space necromancer with a sword and cool tattoos and a lesbian who kills stuff and cusses and doesn’t care but maybe she does care more than you know and there’s magic and space castles and everything that’s awesome like skeletons and badassery and it’s there! Whew. There’s no such thing as too much cool stuff thrown together. I firmly believe that. But it has to actually work together, and here we somehow have all of that cool stuff in it without ever having a main character or interesting enough main plot for me to care whatsoever. Moreover, since the cool stuff is being hurled at the reader at a breakneck pace, one cna never really sit back and just absorb how awesome it should be before you’re getting confronted by the next thing. There’s a gothic space palace! What more do you want!? I know: I want to actually have that described to me. I want to envision how gothic it is. I want to feel its movement through space–or the mechanization that keep it in place. I want to read about all of these awesome ideas, not just have them pitched to me as one-liners and then thrown onto an increasing heap of ideas that are never fully realized. And this is what I think made the book so terribly disappointing to me. It had so many cool ideas–it oozed with them–but it never really cashed them in. 

The Light Brigade by Kameron Hurley- Grade: C
I am so torn about this book. I love so many of the ideas in it. There’s a foreboding sense that aspects of Hurley’s vision of the future are not far off from the reality we may experience if we let greed continue unfettered indefinitely. The trauma of war, the pervasiveness of changing reality through the way that news can shape people’s minds, and the like are all explored here through what is, ultimately, a character piece about a soldier, Dietz. But Dietz is not, to me, particularly likable as a protagonist, and there’s a kind of paper-thin quality to not only Dietz but every other character in the book that made me start losing interest. There are so many cool concepts here, but I don’t know that we ever get to enjoy them as well as we should. It’s a thrill-ride, but one that may not have enough meat on the bones to sustain the interest of all readers. For me, it was a middling read, though I may go back to revisit it sometime. 

Middlegame by Seanan McGuire (My Winner)- Grade: A+
Seanan McGuire is one of my favorite authors, and she did not let me down with this sprawling epic about the twins Roger and Dodger and the strange, weird, magical world they–and we–inhabit. McGuire is a master of peeling away layers of reality so that it seems like you, the reader, haven’t actually thought about everything yet. Maybe there is magic just around the corner. Perhaps there’s a strange, disturbing creature lurking just under that rock. Witches may have a coven over in that moor. These things seem so possible in McGuire’s deft hands, and Middlegame is one of her best efforts yet. The central plot and characters are riveting, to the point that I basically didn’t put this book down until I’d finished it. McGuire writes with a tone that is somehow both light and dark, conspiratorial and friendly. You want to love the characters from the outset, and by the time the action really gets intense, your heart is racing along with theirs. I don’t know if McGuire will explore the world she created in this standalone (so far) novel, but I’d go back in a heartbeat. 

The Ten Thousand Doors of January by Alix E. Harrow- Grade: C+
I loved so much about this book. It’s one of those books that is a book about books for people who read books, and those tend to be right up my alley. Harrow created January, a fantastic main character whom I love and for whom I rooted the entire time, but then didn’t really… seem to do anything with her. Throughout the whole book there were echoes about how there are these ten thousand doors and so many possibilities and so much more to reality than we expect, but then that infinite set of possibilities never seemed to get realized for me as a reader. I felt let down by the payoff, which didn’t really even begin until about 60-70% into the book. By the end, I found myself reminiscing about the earlier portions of the book, when I had a character I adored and the anticipation that something big would happen. The prose is lyrical and endearing. Ultimately, I felt the book was merely okay, due to the main plot stumbling along, but it shows immense promise. I will absolutely seek out the next thing Harrow writes, because she has the gift.

Links

J.W. Wartick- Always Have a Reason– Check out my “main site” which talks about philosophy of religion, theology, and Christian apologetics (among other random topics). I love science fiction so that comes up integrated with theology fairly frequently as well. I’d love to have you follow there, too!

My Read-Through of the Hugos– Read more posts in this series and follow me on the journey! Let me know your own thoughts on the books.

Be sure to follow me on Twitter for discussion of posts, links to other pages of interest, random talk about theology/philosophy/apologetics/movies/scifi/sports and more!

SDG.

My Read-Through of the Hugos: 1965

I’ve almost completed my read-through of the top science fiction books of all time and was casting about for something else to do. I decided that reading through the list of Hugo award winners and nominees wasn’t a bad way to spend my time. I’ve given grades for each book, and underneath those grades, I’ve added a reflection on that year’s Hugo Awards.

The Wanderer by Fritz Leiber (Winner)- Grade: D+
Thoroughly shrug-worthy, this one has most of the features I dislike in classic science fiction. First, it’s overly focused on concept rather than execution. Second, the women are all throwaway characters. Third, the dialogue is laughable. Fourth, you can really tell that it’s dated. Fifth, the aliens are basically just humans that got reskinned. Hey, it won the Hugo Award, so good job on Leiber, I suppose. Also, I think it is one of the early innovators of the sort of mutliple-main-characters viewpoints in science fiction way of telling stories, so there’s that.

The Whole Man by John Brunner- Grade: D+
This is apparently a novel that marks Brunner’s breakout from space opera, and the style does seem like a transition. It has a little bit of the feeling of New Wave sci-fi while also some of the campiness of adventure sci-fi. The stylistic jumps make it feel a bit haphazard to me. I also do not particularly enjoy how Brunner dealt with “disability” in the novel, using generally derogatory words to discuss disabilities and running with the notion that anyone with a disability is a kind of person to be pitied. The novel, in other words, has not aged well at all. Not one of Brunner’s better works.

Davy by Edgar Pangborn- Grade: C-
Post-nuclear-apocalypse coming-of-age stories were apparently very “in” in the 50s and 60s. Here’s another one. It’s decently well done, though not nearly as good as some other notable ones (thinking here, in particular of The Long Tomorrow). Here, Davy is a kind of future pirate ne’er do well who’s writing back on how he came to be where he is. It has its moments of fun and fear, but it takes forever to really get going, and when it does it suddenly feels so rushed it is hard to get on top of it. A decent book that I’d recommend for those who like pastoral apocalypses.

The Planet Buyer AKA The Boy Who Bought Old Earth AKA part of Norstrilia by Cordwainer Smith (My Winner)- Grade: A
Yes, the publication of history of this is a bit complex. I ended up reading it as part of Norstrilia because that’s the version I could get my hands on. Anyway, Cordwainer Smith is one of those almost forgotten authors whose works really ought to be much more influential and well-known than they are. He wrote many more short stories (this is his only sci-fi novel), and each one of them is haunting and wacky in its own way. The Planet Buyer/Norstrilia is set in the same world as the rest of his sci-fi, a world in which the Instrumentality of Mankind rules. However, Old North Australia (Norstrilia) is the only place that can produce an immortality drug made from its genetically diseased sheep that are raised in pastoral settings preserved by ludicrously high tariffs and powerful defenses. Through speculation, a man is able to acquire an immense fortune, but then has to go on an adventure and into hiding in with the underpeople, some animal-people who are treated as slaves by others. The story somehow mixes elements of the absurd, New Wave, and pastoral sci-fi together in unexpected ways while still maintaining a cohesive, fascinating narrative. Smith also made choosing my personal winner for this year especially easy. The other nominees this year are either not very good or show their age in overwhelming fashion. By contrast, this novel feels fresh and inventive more than 50 years later. I definitely recommend reading all of Smith’s sci-fi corpus.

1965 Hugo Award for Best Novel: It’s likely this won’t be the only time that the book I considered (tied for) worst of the nominees won the award. The Wanderer was just boring. It’s almost a pure concept novel of the sort that has people today hate on hard sci-fi as a sub-genre. Leiber has entertained me before, so I was surprised by how little I liked this one. The Whole Man was little better, and I’m honestly a bit upset that I spent my money on that one because I couldn’t get it through interlibrary loan. It hasn’t aged well, and likely is only worth reading if you’re trying to look at the origins of space opera. Though even on that latter regard, I’d say the Lensman series is a more fun entry point, despite having its own significant flaws. Anyone out there who enjoyed either of these books? I’d be interested to read your own opinions on the novels. Or, if you also disliked them, join me in hating on them in the comments.

Davy was bland as well, but had moments of interest. It’s a mix of tropes that have been done many, many other times, but is written in a winsome enough way that I didn’t mind. It certainly has more staying power than the previously discussed books. Then, we get to The Planet Buyer (et al.). It’s so delightfully fresh and strange that it blew me away the first time I read it. I initially only read the book because I found the Baen edition of Cordwainer Smith’s collected sci-fi in a bookstore and it had a dragon in space on the cover, which convinced me that I had to figure out why that would be the case. I then plunged into his works and read all the sci-fi he’s written, enjoying each individual piece. The Planet Buyer absolutely stands the test of time, as Smith deftly wove many seemingly contradictory styles into one haunting narrative that I don’t think I’ll ever forget. It’s absolutely top notch science fiction, and I commend it to you, dear readers.

Links

J.W. Wartick- Always Have a Reason– Check out my “main site” which talks about philosophy of religion, theology, and Christian apologetics (among other random topics). I love science fiction so that comes up integrated with theology fairly frequently as well. I’d love to have you follow there, too!

My Read-Through of the Hugos– Read more posts in this series and follow me on the journey! Let me know your own thoughts on the books.

Be sure to follow me on Twitter for discussion of posts, links to other pages of interest, random talk about theology/philosophy/apologetics/movies/scifi/sports and more!

SDG.

My Read-Through of the Hugos: 1963

I’ve almost completed my read-through of the top science fiction books of all time and was casting about for something else to do. I decided that reading through the list of Hugo award winners and nominees wasn’t a bad way to spend my time. Here are the nominees and the winner of the 1963 Hugo Awards. I’ve marked the winner as well as my own choice for which novel would win, had I the choice among the nominees.

The Man in the High Castle by Philip K. Dick (Winner) Grade: B-
I still can’t figure out the ending, but it was an enjoyable book. Fascinating idea (Japan/Germany win WW2) that is frequently-explored in alternate history but done well here. Dick’s strength is in the way he conveys a mix of humor and horror. Most of the book feels a bit like a travelogue, though, and one that doesn’t seem nearly as foreboding or interesting as it ought to be given the compelling idea behind the plot. Dick’s obsession–like many other SFF authors of his time–with questions of sexuality and pushing whatever boundaries he thought he needed to push against isn’t overwhelming here, but it is definitely an underlying theme. Since reading the book, I’ve watched the first two seasons of the TV show, which is pretty fantastic and shows directions Dick could have gone to make the book even better. I liked the book, but wish it had been more.

The Sword of Aldones by Marion Zimmer Bradley- Grade: C
There’s way more going on here than I expected when I read that this was a sword-and-planet science fantasy work. It’s almost more of a family genre/mannerpunk book in some ways than it is a science fantasy book. Genre questions aside, Bradley offered a compelling enough world and characters, but throughout the whole book there was a lack of punch. I just kept losing interest. Maybe that was my expectations about what I was getting into, but it just felt kind of ho-hum to me. The edition I got had an introduction from 1977 from Lester del Rey (cofounder of the publishing house) that was particularly revealing when he noted that Bradley’s work kept getting categorized as juvenile fiction because of a lack of overt sex. I guess that shows what was going on in that time related to SFF and also, if true, helps explain why so many books in this earlier part of the Hugo awards seem utterly obsessed with (ironically) juvenile notions of sex and titillation.

A Fall of Moondust by Arthur C. Clarke (My Winner)- Grade: A-
There’s something about a good sci-fi thriller mixed with hard sci-fi that I find totally irresistable. This is an earlier one of Clarke’s works, but of those I’ve read from him it is the one that seems the most human. He puts a group of people together in a skimmer on the moon (and yes, we know the moon isn’t covered with a sea of dust now, but it could be any fictional place), has disaster fall upon them, and we sit with them as search and rescue begins, seeing the action from several angles. There’s something alluring about this plot. It’s so basic, but so fascinating. It’s like the stories about getting stuck in an elevator and befriending everyone aboard–it just works, with this inherently relatable feel to it. I was absolutely absorbed by this book from the beginning to the end. The only fault is that it shows the casual sexism of the 1960s through and through, whether it’s women naturally being selected for cooking, or appealing to vanity for women to get them to do things. Nevertheless, this book is a gem, and exactly the kind of book that makes a quest like my Hugo Award reading worth doing. Clarke weaves hard sci-fi throughout as well, as he explains without too many details–never in a boring way–the science or fake science behind so many of the events. And unlike other authors of hard sci-fi who sometimes get to the point where it reads as a textbook, Clarke weaves the science into the narrative in ways that even the occasional info dump seems to make sense–it just becomes a ratcheting up of the tension. A fascinating, fantastic read. Also, that first edition cover is stunning in its simplicity.

Little Fuzzy by H. Beam Piper- Grade: B-
The titular creatures are cute, and Piper seems to have been one of the few authors to pioneer the “aliens might not be the worst” subgenre of first contact novels. The writing is a little uneven, and the characters don’t quite break out of their molds, but it is all done in a kind of vanilla fashion that doesn’t leave that much to complain about. It’s an enjoyable taste, but nothing life changing. What is clear though, is the tremendous impact this book has had on the first contact subgenre of science fiction, from the debates over sentience/sapience to the way characters make discoveries about the aliens. It’s an influential book, and a quick read.

Sylva by Jean Bruller- Grade: C
The plot is that a fox becomes a woman becomes a wife becomes a fox-human mom. It’s weird. There’s a literary quality to it that both makes it seem a bit more well-written than some early science fiction while also managing to avoid being pretentious. But really, this is a kind of strange tale. The ending is much more alarming than I expected, though not because its horror or anything of the sort. It was just a major surprise. I found it a decent book, but not one I’d return to. It is so obscure now, apparently, that searching “Sylva Bruller” on Amazon doesn’t actually bring anything up. I feel fortunate to have tracked a copy down through interlibrary loan.

Links

J.W. Wartick- Always Have a Reason– Check out my “main site” which talks about philosophy of religion, theology, and Christian apologetics (among other random topics). I love science fiction so that comes up integrated with theology fairly frequently as well. I’d love to have you follow there, too!

My Read-Through of the Hugos- Read more posts in this series and follow me on the journey! Let me know your own thoughts on the books.

Be sure to follow me on Twitter for discussion of posts, links to other pages of interest, random talk about theology/philosophy/apologetics/movies/scifi/sports and more!

SDG.